Tag: Bell Shakespeare

Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy

Posted by Kirk Dodd | 20th Jul 2024 | Australia, Dramaturgy, Review, Sydney

It is a common reflex to reach for Aristotle’s Poetics to determine what a good tragedy should be....

Read More

Bell Shakespeare’s “Hamlet” Highlights the “Claustrophobic Personal Dynamics” of Shakespeare’s Play

Posted by Gabrielle Edelstein | 3rd Apr 2022 | Adaptation, Australia, Directing, Review

In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...

Read More

Bell Shakespeare’s “Hamlet” Reviewed: The Same Great Themes In Some Strange New Haunts

Posted by Claire Hansen | 8th Nov 2015 | Australia, Directing, Review

Today, Shakespeare’s Hamlet is a play that haunts itself. Its saturation into cultural...

Read More

Dramaturg Glenn Saunders on the Australian Approach to the Classics

Posted by The Theatre Times | 17th Sep 2014 | Australia, Dramaturgy, News, Sydney

Freelance theatre critic and dramaturg, Glenn Saunders, writes about the unique energy of...

Read More

“Henry V” Meets The London Blitz And Brings The House Down

Posted by Claire Hansen | 16th Jun 2014 | Australia, Review, Theatre and Politics

Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
GPS M S Biomechanics System Vs. Narcissism:… by Ivanka Apostolova Baskar 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
Chekhov’s “Uncle Vanja”, directed… by Duška Radosavljević 14th April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026

Recent Posts

In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage 12th May 2026
Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human? 8th May 2026
At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On 5th May 2026
Guilt And Resilience, And “The Fear Of 13” 3rd May 2026
Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine 2nd May 2026
“Managed Approach” – Two Contrasting Stories – Open Aire Theatre, Riverside Studios, London 1st May 2026
Maxim Sukhanov – About The “Brew” Of A Performance, Krymov Rehearsals, “Dramatic Provocations” And The “Hope For The Good”. 1st May 2026
Bound To Start Again, Again, Again… 27th April 2026
The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback 25th April 2026
“Jen Xponential,” A Story Of Potential 24th April 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest