A Beloved Chinese Classic Gets a Weightless Adaptation
Kunqu opera has made a commercial comeback over the past two decades, but a recent adaptation of...
Read MorePosted by Chen Tian | 1st Jul 2023 | China, Chinese Theatre and Opera, Review
Kunqu opera has made a commercial comeback over the past two decades, but a recent adaptation of...
Read MorePosted by Fu Beimeng | 10th Dec 2020 | China, Directing, Interview, Puppetry, Theatre and Opera
Filmmaker Sun Yang discusses his recent documentary about visual artist Ma Liang, also known as...
Read MorePosted by Guillaume Clayssen | 13th Apr 2020 | France, Interview, Playwriting
Guillaume Clayssen, a fellow playwright, interviewed David Lescot on his newest piece in June 2016...
Read MorePosted by Daniele Avila Small | 6th Mar 2020 | Brazil, Documentary Theatre, Essay, Festivals, Theatre and Gender
Stabat Mater is the most recent work by Brazilian actress, playwright, and director Janaina Leite,...
Read MorePosted by Aleks Sierz | 27th Oct 2019 | Documentary Theatre, London, Review, United Kingdom
True stories, even in a fictional form, have the power to grip you by the throat, furiously shake...
Read MorePosted by Rathsaran Sireekan | 27th Oct 2019 | Review, South Korea, Theatre and Gender
The Political Self of Beauty South Korean artist Eunkyung Jeong’s interdisciplinary work at...
Read MorePosted by Ryan Pepper | 11th Jul 2019 | Canada, Festivals, Ottawa Fringe 2019, Review
LIGHTS! CAMERA! ODD JOBS? is a decent solo show from actor Andrew MacKinnon about his personal...
Read MorePosted by Diwan Singh Bajeli | 10th Dec 2018 | India, Review, Theatre and Politics
To commemorate Mahatma Gandhi’s 150th birth anniversary, Urdu Academy, Delhi staged Mohan Se...
Read MorePosted by Aleks Sierz | 9th Oct 2018 | London, Playwriting, Review, Theatre and Disability, Theatre and Gender, United Kingdom
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
Read MorePosted by Aleks Sierz | 3rd Feb 2018 | London, Review, United Kingdom
What a brilliant title! Yes, this one must be up there with the likes of Jim Cartwright’s I Licked...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 