“Liebe Mit Taktgefühl” By Barbara Raue-Flajs, At Piccolo Teatro Haventheater, Bremerhaven: Directorial Reflections
Since August 2019, I have owned and run the chamber theatre, piccolo teatro Haventheater, in...
Read MorePosted by Daniel Meyer-Dinkgräfe | 20th Nov 2025 | Directing, Essay, Germany
Since August 2019, I have owned and run the chamber theatre, piccolo teatro Haventheater, in...
Read MorePosted by Mehdi Shahedi | 26th Aug 2025 | Essay, Iran, Theatre and Politics
We are an avant-garde theatre group, and after our successful performance of The History Boys by...
Read MorePosted by Margaret Rose | 24th Jan 2025 | Immersive Theatre, Italy, Review
Director Romeo Castellucci is coming to the end of a four-year collaboration with Milan’s...
Read MorePosted by Miriam Kičiňová | 18th Nov 2020 | Theatre for Young Audiences, Youth Theatre - A Casebook
The Slovak National Theatre generally stages the major classics, adaptations of novels, and...
Read MorePosted by Kelsey Jacobson | 9th Aug 2020 | News, Theatre and Age, United Kingdom
One night in April, I found myself holding my cat up to my laptop, eagerly showing her off to a...
Read MorePosted by International Online Theatre Festival | 27th Jul 2020 | Covid-19, Germany, Interview, IOTF 2020: Archives, Theatre and Pandemic: Asynchronous Discussion Panel at IOTF2020
Nils Haarmann – dramaturg at the Schaubühne – responds to Grzegorz Jarzyna. The discussion focuses...
Read MorePosted by Daniel Johnston | 18th Apr 2020 | Essay, Immersive Theatre, Sydney
Being close to others is intrinsically associated with theatre. In Shakespeare’s London, theatre...
Read MorePosted by Maren Day | 18th Jul 2017 | Germany, News, Theatre and Science
The Field Survey, Part 3: Opening Up Reaching and attracting new audiences with the help of...
Read MorePosted by Göksu Kunak | 13th Feb 2017 | Interview, Lebanon, Theatre and Politics
In this interview, Rabih Mroué talks about micro-narratives, the ability of theatre to enact a...
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