“Lie Low,” Royal Court
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Aleks Sierz | 2nd Jun 2024 | London, Review, Theatre and Politics
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Aleks Sierz | 5th Nov 2023 | London, Review, United Kingdom
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance...
Read MorePosted by Vanessa Smith | 29th Jul 2022 | Adaptation, Australia, Review, Theatre and Gender
Review: The Tenant of Wildfell Hall, directed by Jessica Arthur for the Sydney Theatre Company...
Read MorePosted by Olivia Ek | 20th Apr 2020 | Adaptation, Netherlands, Review, Transmedia
There’s a colloquialism within the theatre community that ‘you know lighting design is good when...
Read MorePosted by Aleks Sierz | 27th Oct 2019 | Documentary Theatre, London, Review, United Kingdom
True stories, even in a fictional form, have the power to grip you by the throat, furiously shake...
Read MorePosted by Laura Kressly | 3rd Jul 2019 | The Play's The Thing UK
In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays...
Read MorePosted by Aleks Sierz | 5th Jan 2019 | London, Review, United Kingdom
Actor Ellie Kendrick is a familiar face on television, but it’s as a writer that she reveals the...
Read MorePosted by Karen Morash | 17th Nov 2017 | Essay, Management, Theatre and Gender, Theatre and Politics
The Old Vic has announced that it has received 20 personal testimonies of alleged inappropriate...
Read MorePosted by Leslie Barnes | 19th Aug 2014 | Australia, Interview, Theatre and Politics
Peta Brady’s Ugly Mugs, which I saw in Sydney last week, opens with a gurney being wheeled onto...
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Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 

