Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the venerated Comédie-Française troupe in tow to present The Damned. The production is an adaptation…
Read More
…opportunity to touch the very first version of Molière’s text, becoming spectators of Ivo van Hove’s performance at the Comédie Française, Molière’s home. Of course, this is not quite the…
Read More
…she had intended. In 2022 she took part in many performances at the Rallye Moi(s) Theatre festival at Antananarivo’s Ivokolo Analakely Malagasy Cultural Centre. Even though they self-produce each show,…
Read More
…in the financial hub that is the economic capital of Côte d’Ivoire, embraces an expressly commercial function; since its first edition in 1993, the event has provided artists with the…
Read More
…Optics of Art” symposium. It brought contemporary media and performance artists Benjamin Vandewalle, Julien Maire, and Sarah Vanagt into dialogue with scholars from theatre studies, history of science, and cognitive…
Read More
…Soul, it will be echoed by the language of overcoming censorship in Ivo van Hove’s production of the Three-act version, censored by Louis XIV Tartuffe or the Hypocrite by Molière,…
Read More
…pages in the east of Ukraine, in Severodonetsk. She wrote the last hundred pages with her own blood in a tent, at the front. Then she burned all the pages….
Read More
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we are safe because we keep silent. On 27 July a small group…
Read More
…historical moment. MITEM 2026 opens with Richard III, directed by István Albu and presented by the Satu Mare Northern Theatre’s György Harag Company in Romania, and closes with III. Richard,…
Read More
…gloomy feeling of memories waking up from a long sleep – this is the atmosphere of the performance. These are the unburied, unmourned pages of memory, the pages of history….
Read More
In November 2024, the world premiere of a new musical by composer Iván Macías, The Pillars of the Earth, took place at the Teatro EDP Gran Vía in Madrid. The…
Read More
…Salomão. The influence of Pinter and Shepard on the script is evident, though the directorial style, with echoes of Ivo van Hove, makes it feel distinctly contemporary. At over two…
Read More![Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-627x376.jpg.webp)
Ellen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. I: Visual AI is at the heart of this piece, almost like…
Read More
An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA – Marché des Arts du Spectacle Africain d’Abidjan, Ivory Coast /Republic of Côte d’Ivoire, Africa…
Read MoreEllen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the solemnity of the AI biometric cinematic opera “Language Is Leaving Me” with its themes of…
Read More
…– as symbols of consumer society and as representatives of consumerism in their gardens. The title of the novel by Jurica Pavičić, as well as the dramatization by Ivor Martinić,…
Read More
…avoidance, on the majority of his pages, of conventional panel divisions.” More frequently, De Luca works with the “large, undivided single picture and finds inspired solutions to apportioning the page…
Read More
…plays in the larger Montjuïc Sala Fabià Puigserver. Francisco Casavella’s cult 900-page novel, published in three volumes between 2002 and 2003, has been adapted by Iván Morales into a three-part…
Read More
…effortlessly cultivated sense of style. Pagès fusses and hovers, maternal in her dealings with Pou’s Roald. Indeed, Pou’s characterisation is that of an adult child. It’s clear that he likes…
Read More
David Yazbek: The Master of Adapting Films into… 2nd April 2026 
Maxim Sukhanov – About The “Brew”… 1st May 2026 
“Broken Melody” at MITEM: A Music That Finds Its Way Home 13th May 2026 
Waking Up in the Spotlight with “The Unusual… 24th March 2026 
Theatre – Creating Conditions For What Has… 16th May 2026 
