February

The Trans Excellence of Faggotica

13th February 2026 | LGBTQ+ Theatre, New York, Review
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland

10th February 2026 | Essay, Festivals, Poland, Romania, Transcultural Collaborations
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future

9th February 2026 | Australia, Festivals, Review, United States of America
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland

9th February 2026 | London, Playwriting, Review, Theatre and Gender, United Kingdom
“The Devil Wears Prada” and Other Musicals by Sir Elton John.

8th February 2026 | Essay, Musical Theatre, United States of America
The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025

6th February 2026 | Essay, Festivals, Poland
In Oldenburg’s “The Tempest,” Trusting The Text Pays Off

6th February 2026 | Directing, Germany, Review
Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”)

6th February 2026 | Directing, Italy, Review
Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina)

5th February 2026 | Argentina, Canada, Review, Theatre and Decolonization
Bad Data

4th February 2026 | Playwriting, Review, United States of America
Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility

4th February 2026 | Chile, Festivals, Review
“A Place Of Safety, A Journey In The Central Mediterranean”

3rd February 2026 | Italy, Review, Theatre and Politics

January

Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker

29th January 2026 | Festivals, Hawaii, New Zealand, Theatre and Decolonization, Transcultural Collaborations
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro

27th January 2026 | Acting, Italy, Review
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity”

27th January 2026 | Review, United States of America
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage

26th January 2026 | Directing, Germany, Review
Under The Radar Fest: Testo

23rd January 2026 | New York, Review, Theatre and Gender, United States of America
What’s Eating You

20th January 2026 | Acting, Review, United States of America
Sharing Crafts, Or Laboratory Space

12th January 2026 | Essay, Poland, Transcultural Collaborations
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities

8th January 2026 | Directing, Germany, Review
Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling

8th January 2026 | Acting, London, Playwriting, Review, United Kingdom
Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room

7th January 2026 | Chicago, Directing, Interview, United States of America
Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen

6th January 2026 | Interview, Playwriting, Taiwan
Echoes of a Crumbling Republic: Review of “Berlin” at Chicago’s Court Theatre (2025)

4th January 2026 | Review, Theatre and Politics, United States of America
“Leili And Majnun:” An Ancient Love Story For Modern Times

3rd January 2026 | Iran, Review, Theatre and Politics, United States of America
“With Ruby and I” – review – more McDonagh than Robinson

3rd January 2026 | Review, United Kingdom
Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo

2nd January 2026 | Kosovo, Review, South Africa
Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin

2nd January 2026 | Directing, Germany, Review
Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer”

2nd January 2026 | Directing, Greece, Review, Transcultural Collaborations, United Kingdom
Gender Allows A Different Perspective On Ibsen’s “Der Volksfeind” (“An Enemy Of The People”) In Bremerhaven

1st January 2026 | Directing, Germany, Review

December

What Happens In Mecca, Stays In Mecca: “Pilgrimage” By Humaira Ghilzai And Bridgette Dutta Portman

31st December 2025 | Review, Theatre and Religion, United States of America
“Historia de una maestra” (Story of a Teacher) at Madrid’s Teatro Valle-Inclán: Arguing for Education as a Way of Life

28th December 2025 | Review, Spain
Lolita Flores Places Poncia Centre-stage: A New Re-fashioning of “The House of Bernarda Alba”

28th December 2025 | Review, Spain
“L’amor venia amb taxi” (Love Arrived By Taxi): La Cubana’s Affectionate Homage to the Catalan Amateur Theatre

28th December 2025 | Review, Spain
Faustin Linyekula’s Missing Bodies: “My body, my archive” at the Aichi Triennale 2025

26th December 2025 | Congo, Festivals, Japan, Review, Theatre and Dance
“El día del Watusi” (The Day of the Watusi): Iván Morales stages Francisco Casavella’s cult novel on Barcelona in transition

26th December 2025 | Review, Spain
Diego Garrido Sanz’s “Violencia” (Violence) at the Centro Dramático Nacional: exploring the possibilities of restorative justice

26th December 2025 | Review, Spain
“El entusiasmo” (The Enthusiasm) at Madrid’s Teatro María Guerrero: Midlife crisis given a makeover in Pablo Remón’s new play

26th December 2025 | Review, Spain
Inside Chicago Court Theatre’s “Berlin”–Turning a Graphic Novel into Live Theatre: An Exclusive Interview with Playwright Mickle Maher

24th December 2025 | Adaptation, Interview, United States of America
“The Phantom Of The Opera” Returns To Mexico: A Reinvented Masterpiece

12th December 2025 | Mexico, Musical Theatre, Review
Witty Revival Of 2022 Pollesch “Liebe, Einfach Außerirdisch” In Berlin

12th December 2025 | Directing, Germany, Review
Tom Block Sparks Arts Activists

11th December 2025 | Festivals, LGBTQ+ Theatre, New York
Emma Dante’s “The Angel of the Hearth”

10th December 2025 | Italy, Review, Theatre and Gender
Dostoevsky on Stage. “The Mutt” by Anoushka Nesterova and Elena Che at the IATI Theater, New York

7th December 2025 | Adaptation, Review, United States of America
A Theatre Of Boredom And Theatrical Distrust (André Gregory, Chekhov And Beckett)

4th December 2025 | Directing, Essay, Transmedia
Biography And Politics: “Der Zauberer Von Öz – Eine Fußballtragödie“ In Bremen

4th December 2025 | Directing, Germany, Review, Theatre and Politics
“A Working Class Hero” – Identity And Class at Voila! Theatre Festival

2nd December 2025 | Acting, Review, Theatre and Politics, United Kingdom
The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival当代小剧场戏曲节) by Star Theatres (繁星戏剧村) in Beijing 2025

2nd December 2025 | China, Festivals, News

November

Adaptations On The German Stage (2): “Der Schimmelreiter” In Oldenburg

28th November 2025 | Adaptation, Directing, Germany, Review
“Aşınma” (“Corrosion”): A Solo Masterpiece About The Contemporary Human

23rd November 2025 | Review, Theatre and Politics, Turkey, United Kingdom
Evil Can Appear Beautiful

23rd November 2025 | Adaptation, Italy, Review
#Me Too Oedipus

20th November 2025 | Adaptation, Review, United States of America
“Liebe Mit Taktgefühl” By Barbara Raue-Flajs, At Piccolo Teatro Haventheater, Bremerhaven: Directorial Reflections

20th November 2025 | Directing, Essay, Germany
Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek

19th November 2025 | Interview, Playwriting, Taiwan, Theatre and Decolonization
Dimension Zero: All Judy, No Punch

17th November 2025 | New York, Puppetry, Review
Dupes of Hazard

16th November 2025 | Review, Theatre and Politics, United States of America
Nearly Finished

15th November 2025 | Acting, Review, United States of America
The Filmed Performance “Woodland Bird Woman” – a Collaboration Between Esther Salamon, Robert Laycock And David Stephenson: Between.Pomiędzy Dispersed Festival 2025

9th November 2025 | Poland, Transcultural Collaborations, United Kingdom
3sisters at the Novi Sad Theatre

7th November 2025 | Adaptation, Review, Serbia
Jack Holden’s The Line of Beauty at the Almeida Theatre: A Subtle And Appealing Adaptation Of A Modern Classic 1980s Story

2nd November 2025 | London, Review, Theatre and Politics, United Kingdom
Checking The Boxes

1st November 2025 | Review, Theatre and Politics, United States of America

October

FITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story

31st October 2025 | Festivals, Review, Romania
Tanika Gupta’s “Hedda” at the Orange Tree Theatre: A Fresh And Fascinating Reinterpretation Of A Classic Which Foregrounds The Issues Of Race And Empire

30th October 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
The Queen of Versailles Musical or the Funeral of the “American dream.”

29th October 2025 | Musical Theatre, Review, United States of America
Adaptations On The German Stage (1): “Sein Oder Nicht Sein” In Bremerhaven

29th October 2025 | Directing, Germany, Review
Meghan Tyler’s “Crocodile Fever” at the Arcola Theatre: Northern Ireland Sisters In A Darkly Funny Anti-Patriarchal Feast Of Symbols

27th October 2025 | Ireland, Playwriting, Review, United Kingdom
Six-Hour Tour De Force “Hamlet” In Hamburg, Directed, With Many Ironic Self-References, By Veteran Legendary Frank Castorf

27th October 2025 | Directing, Germany, Review
LegalAlien’s “The Flowers of Srebrenica”: Theatre as Healing

27th October 2025 | Bosnia, Review, Theatre and Politics
Nick Payne’s “The Unbelievers” at the Royal Court Theatre: Latest Play By A Top New Writer Is Disappointingly Unfocused

26th October 2025 | London, Playwriting, Review, United Kingdom
Barbarians in Midtown

22nd October 2025 | Musical Theatre, Review, United States of America
“All Right. Good Night.:” A Poetic Meditation on the Art of Letting Go

20th October 2025 | Directing, Germany, Review, United States of America
Bloody Ignorant Apes

15th October 2025 | Directing, Review, United States of America
Taking A Hit

14th October 2025 | Adaptation, Review, United States of America
Maestras On The Podium: Women Conductors On Broadway, Then And Now

11th October 2025 | Essay, Musical Theatre, Theatre and Gender, United States of America
“Lale Lili Marleen:” The Promising Relaunch Of A Quaint Chamber Theatre In The Oldest District Of Bremen

10th October 2025 | Directing, Germany, Review
Welcome To The Machine

5th October 2025 | Review, Theatre and Politics, United States of America

September

James Graham’s “Punch” at the Apollo Theatre: Compelling And Emotionally Intense Account Of Restorative Justice

30th September 2025 | Documentary Theatre, Review, Theatre and Politics, United Kingdom
“Full Moon” by Josef Nadj at the Festival of International Alternative Theatre (FIAT) in Montenegro

30th September 2025 | Montenegro, Review, Theatre and Dance
Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?

26th September 2025 | Egypt, Essay, Festivals
Conor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic

26th September 2025 | Acting, Dramaturgy, London, Review, United Kingdom
Cruelty, Guilt, And Redemption Intertwine In “The Mutt” At IATI Theater

19th September 2025 | Adaptation, New York, Review, United States of America
International Project – Dramaturgy Lab: Exploring West Balkan Plays – “Big Deal” By Mia Efremova

17th September 2025 | Dramaturgy, Hong Kong, Interview, Macedonia, Transcultural Collaborations
Theatre Is A University, A Lifelong Study Of Human Nature

15th September 2025 | Acting, Interview, Macedonia
Violence and Therapy: 29th International Shakespeare Festival in Gdańsk, Poland, 2025

11th September 2025 | Festivals, Poland, Review
Lessing’s “Emilia Galotti” As Directorial Debut In Bremen

9th September 2025 | Directing, Germany, Review
Unbound Curation – The Freedom Of Programming Without Frames

5th September 2025 | Belgium, Interview, Management

August

“Tired” Of Consuming Postdramatic Theatre (Contemporary Theatre Often Lacks Strong Dialogue)

31st August 2025 | Austria, Dramaturgy, Interview, Macedonia
Shakespeare In The Park At The New Delacorte Theater: Love Is Gender Fluid

30th August 2025 | New York, Review, Theatre and Politics, United States of America
To Embrace Vulnerability As One Of My Greatest Strengths (Stronger, Braver, Vulnerable)

28th August 2025 | Acting, Interview, Macedonia
Edinburgh Festival Fringe 2025 in 22 Shows

28th August 2025 | Edinburgh 2025, Review, United Kingdom
“When Billy Met Alasdair” At The Scottish Storytelling Centre, Edinburgh Festival Fringe 2025

27th August 2025 | Edinburgh 2025, Review, United Kingdom
I Hold On To The Beautiful Side Of Theatre

27th August 2025 | Directing, Interview, Macedonia
We Passed Through The Wall Of Sorrow Together

26th August 2025 | Essay, Iran, Theatre and Politics
Edinburgh Festival Fringe 2025: Provisional Futures in a World on Fire

25th August 2025 | Edinburgh 2025, Essay, Theatre and Politics, United Kingdom
German Summer Festival Theatre (2): Domfestspiele Verden, “Die Zündholzfrau”

25th August 2025 | Festivals, Germany, Review
“No Apologies” by Emma Frankland, Edinburgh Festival Fringe 2025

25th August 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
“The Ego” by Anemone Valcke and Verona Verbakel, Edinburgh Festival Fringe 2025

25th August 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
“Riot Days” by Pussy Riot, Edinburgh Festival Fringe 2025

25th August 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
“Thanks for Being Here” by Ontroerend Goed, Edinburgh Festival Fringe 2025

25th August 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
German Summer Festival Theatre (1): Theatersommer Wismar, Brecht/Weill The Threepenny Opera

24th August 2025 | Festivals, Germany, Review
“Aether”, Edinburgh Festival Fringe 2025

24th August 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
“Little Bulb: Listen Dance”, Edinburgh Festival Fringe 2025

24th August 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025

24th August 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Duncan Macmillan’s Every Brilliant Thing at @Sohoplace: Moving Mixture Of Joyous Theatricality And Serious Mental Health Themes

23rd August 2025 | Playwriting, Review, United Kingdom
“A Poem And A Mistake,” Edinburgh Festival Fringe 2025

19th August 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
“Works And Days” By The Fc Bergman Collective, Edinburgh International Festival

19th August 2025 | Belgium, Edinburgh 2025, Review, United Kingdom
“Wild Thing!” By Mechanimal, Edinburgh Festival Fringe 2025

19th August 2025 | Edinburgh 2025, Review, Theatre and Science, United Kingdom
Sam Kissajukian’s “Three Hundred Paintings,” Edinburgh Festival Fringe 2025

19th August 2025 | Australia, Edinburgh 2025, Review, United Kingdom
Mohamed El Khatib’s “La Vie Sècrete Des Vieux”: a Poetics of Attentive Listening

18th August 2025 | Finland, France, Review, Tampere Theatre Festival 2025
“Make It Happen,” Edinburgh Festival Theatre 2025

18th August 2025 | Edinburgh 2025, Review, Scotland, United Kingdom
“Suburbia,” Written And Performed By Jonny Woo, Edinburgh Festival Fringe 2025

18th August 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
“Cassandra,” Written And Performed By Ailsa Dixon, Edinburgh Festival Fringe

14th August 2025 | Edinburgh 2025, Review, Scotland, Theatre and Gender
Karis Kelly’s “Consumed” At The Traverse Theatre, Edinburgh Festival Fringe

14th August 2025 | Edinburgh 2025, Review, United Kingdom
“A Gambler’s Guide To Dying” Set In Glasgow’s Gorbals, Edinburgh Festival Fringe

14th August 2025 | Edinburgh 2025, Review, Scotland
“Athens Of The North” at the Scottish Storytelling Centre, Edinburgh Festival Fringe

13th August 2025 | Edinburgh 2025, Review, Scotland
“Buen Camino,” Edinburgh Festival Fringe 2025

13th August 2025 | Edinburgh 2025, Review, Scotland, United States of America
Gotta Spoof ‘Em All: “Balls: The Monster-Catchin’ Musical Comedy” Parodies Pokémon in NYC

13th August 2025 | Musical Theatre, New York, United States of America
Tampere Theatre Festival 2025: Worlds in Miniature

11th August 2025 | Festivals, Finland, Review, Tampere Theatre Festival 2025
Flightless, Caged “Angels In America”

10th August 2025 | Poland, Review, Theatre and Science
Barcelona’s 2025 Grec Festival: “The Performing Arts as a Critical and Poetic Tool”

6th August 2025 | Festivals, Review, Spain
The TikTok-isation Of Theatre? – “Dziewczyna, Która Podeptała Chleb”

6th August 2025 | Poland, Review, Theatre and Religion
“Trilogia Cadela Força – Capítulo II: The Brotherhood.” Review. Holland Festival 2025.

6th August 2025 | Holland Festival 2025, Netherlands, Review
“From Dust.” Another Review. Holland Festival 2025.

6th August 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
“From Dust.” Review. Holland Festival 2025.

6th August 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
“Welcome to Asbestos Hall.” Review. Part II. Holland Festival 2025.

6th August 2025 | Holland Festival 2025, Netherlands, Review
“Welcome to Asbestos Hall.” Review. Part I. Holland Festival 2025.

6th August 2025 | Holland Festival 2025, Netherlands, Review
“Swan Song”: Between Prophecy and Epitaph

5th August 2025 | Adaptation, Azerbaijan, Review, Theatre and Politics
Mark Rosenblatt’s “Giant” in Barcelona

5th August 2025 | Festivals, Review, Spain
Who’s Afraid of the Public? Reports from the Daehangno X Forum on the Shut-Down of TheatreIn

4th August 2025 | Featured, Management, News, South Korea, Theatre and Gender, Theatre and Politics
Decolonizing Iraqi Theatre: Why We Need to Stop Quoting the West

3rd August 2025 | Essay, Iraq, Theatre and Decolonization
Jake Brunger’s Four Play at the King’s Head Theatre: Delicious Mix Of Laughter And Provocation In A Sex Comedy Of Manners

2nd August 2025 | London, Review, United Kingdom
Between Life And Death: A Festival’s Journey Through Tragedy [Part II]

1st August 2025 | Bulgaria, Festivals, Transcultural Collaborations
Between Life And Death: A Festival’s Journey Through Tragedy [Part I]

1st August 2025 | Bulgaria, Festivals, Transcultural Collaborations

July

An Exploration Through The Convoluted Layers Of “Blind Runner”

30th July 2025 | Review, Theatre and Politics, United States of America, Worldwide
Mark St Germain’s “Dancing Lessons” At Boulevard Münster In The Context Of The Ongoing Comedy Theatre Tradition In Germany

28th July 2025 | Germany, Management, Review
Ambiguous Space: A Review of the Chinese Play “L’histoire d’un Accident” at Avignon 2025

26th July 2025 | Avignon 2025, China, Chinese Theatre Abroad, Design, Review
Chinese Traditional Theatre in the UK: Interview with Joanna Zenghui Qiu on the 10th Anniversary of the UK Chinese Opera Association

24th July 2025 | China, Chinese Theatre Abroad, News, Theatre and Opera
“Pirates! The Penzance Musical.” An Exclusive Interview with Ramin Karimloo – The “glorious” Pirate King.

22nd July 2025 | Interview, Musical Theatre, United States of America
Romeo Castellucci’s “The Potato Eaters” at the Venice Theatre Biennale

20th July 2025 | Festivals, Immersive Theatre, Italy, Review
School Camp

19th July 2025 | Review, Theatre and Gender, United States of America
Willem Dafoe, Artistic Director Of The 2025 Theatre Biennale – 31 May To 15 June. The Opening Show: “Symphony Of Rats”

16th July 2025 | Festivals, Italy, Review, Transmedia, United States of America
29th International Shakespeare Festival runs in Gdańsk (Poland) from 25 July to 3 August

10th July 2025 | Festivals, News, Poland
Theatres In Tehran Rise From The Ruins Of The Iran-Israel War

10th July 2025 | Iran, News, Theatre and Politics
Annie Jin Wang on Opera Dramaturgy

10th July 2025 | Dramaturgy, Interview, Theatre and Opera, United States of America
Rock Opera and Musical Theatre. An exclusive interview with Lenny Kaye

7th July 2025 | Interview, Musical Theatre, Transcultural Collaborations, United States of America
George Bernard Shaw’s Mrs Warren’s Profession at the Garrick Theatre: Slimmed Down Revival Of A Classic About The Woman Question Stars Imelda Staunton

6th July 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
“The Gilded Age” Season 3 Casting Secrets

6th July 2025 | Directing, Interview, Los Angeles, New York, News, Theatre and Film, United States of America
Off-Limits Love: Abby Rosebrock’s “Lowcountry,” A New Play at the Atlantic Theater

4th July 2025 | Review, Theatre and Politics, United States of America
Fix+Foxy’s “A Doll’s House” by Henrik Ibsen: A Playful Study in Radical Intimacy

2nd July 2025 | Adaptation, Denmark, Review

June

Curtain-Up in Taipei: A City Stages Its Own Tonys

28th June 2025 | News, Taiwan, Theatre and Politics
On Lone Borders: Juan Mayorga’s “Los Yugoslavos”

25th June 2025 | Review, Spain, Transcultural Collaborations
Exploring a Global Vision in the Sinosphere: An Interview with Katherine Chou, Chair of the World Sinophone Drama Competition for Young Playwrights

24th June 2025 | Interview, Playwriting, Taiwan
On Creativity, Labor, and Uncertainty: An Interview with Taiwanese Playwright Yu-Chia Wei

23rd June 2025 | Interview, Playwriting, Taiwan
Claire Dowie’s Why Is John Lennon Wearing a Skirt? at the Finborough Theatre: Pioneering Queer Theatre Artist Revisits Her Greatest Hits

19th June 2025 | LGBTQ+ Theatre, Review, United Kingdom
Terence Rattigan’s In Praise of Love at the Orange Tree Theatre: Rarely Revived 1973 Study Of Love In A Time Of Deception

17th June 2025 | London, Review, Theatre and Politics, United Kingdom
Creating History, Changing the Future, or Enslaved in Eternal Present: 70th Sterijino Pozorje Festival

13th June 2025 | Festivals, Review, Serbia
Man Out Of The Blue

10th June 2025 | Review, Theatre and Politics, United States of America
Doctor, Doctor, Doctor

8th June 2025 | Review, Theatre and Age, United States of America
Pandora`s Ritual: To “Kill My Darlings” On The Brink Of An Individual Existential Revolution

2nd June 2025 | Directing, Greece, Interview

May

Ekman / León-Lightfoot / Dawson – A Dance Evening of Excellence at Rome Opera House

31st May 2025 | Italy, Review, Theatre and Dance
Ubu Is The Symbol Of Rebellion Tyranny And Stupidity/Budget Cuts In Culture – A Serious Threat

23rd May 2025 | France, Interview, Theatre and Politics
”The Village”, Revolver Copenhagen

18th May 2025 | Denmark, Review, Theatre and Politics
“The Pillars of the Earth”: Bestseller and Musical. An Exclusive Interview with Ken Follett. Part II

16th May 2025 | Interview, Musical Theatre, Spain, United Kingdom
“Hamlet”, Teatro La Plaza, Barbican

15th May 2025 | Review, Theatre and Politics, United Kingdom
Catharsis in the Eleventh Row: The Aesthetics of Truth on Stage and an Audience That Is Not Afraid of the Dark

14th May 2025 | Essay, Festivals, Serbia
“Rhinoceros”, The Almeida Theatre

14th May 2025 | Review, Theatre and Politics, United Kingdom
The Theater of Metaverse

10th May 2025 | Essay, Festivals, Theatre and AI, Theatre and Science
Do Not Get Your Acting Degree So That You Can Become Part Of The Payroll, Only To Satisfy Your Appetites

9th May 2025 | Acting, Interview, Macedonia
A “Self-Portrait” By Davide Enia

8th May 2025 | Italy, Review, Theatre and Politics
“The Cherry Orchard” By Benedict Andrews: A Stark Mirror For A Collapsing Present

7th May 2025 | Review, Theatre and Politics, United States of America
Black and White. Aleksandr Volodin’s “Five Evenings,” directed by Eduard Tolokonnikov, produced by Polina Belkina, in New York City (March 20-30, May 28-June 15, 2025)

2nd May 2025 | Dramaturgy, Review, Russia, United States of America

April

Conor McPherson’s The Brightening Air at the Old Vic: Wonderfully Numinous And Eccentric Account Of Family Life In 1980s Rural Ireland

29th April 2025 | Ireland, Playwriting, Review, United Kingdom
A Play About Abortion – “Hypothetıcal Baby”

25th April 2025 | Canada, Review, Theatre and Gender
Five Young Performance Artists Unravel the Meaning of Tradition: A Review of “Practicing Freedom”

24th April 2025 | Review, South Korea, Transcultural Collaborations
Interview with Michael Salvatore Commendatore, Projection Designer for Disney’s Frozen at Children’s Theatre Company

22nd April 2025 | Interview, Musical Theatre, Theatre for Young Audiences, United States of America
Queer Surrealism in Two Sisters Find a Box of Lesbian Erotica in the Woods

20th April 2025 | LGBTQ+ Theatre, New York, Review
“Shards of Chaotic Memory in Multicoloured Ink”

16th April 2025 | Italy, Review, Theatre and Disability
Julia Grogan’s Playfight at the Soho Theatre: Superbly Punchy Teen Drama That Electrifies The Senses And Engages The Emotions

15th April 2025 | LGBTQ+ Theatre, Review, United Kingdom
Uncle Actor

12th April 2025 | Adaptation, New York, Review
Robert Icke’s Manhunt at the Royal Court Theatre: Terrifyingly Powerful Account Of Toxic Masculinity And Murderous Rage

11th April 2025 | Documentary Theatre, Dramaturgy, Review, United Kingdom
“Liberation.” Roundabout Theatre. Look Back to Know Where You Are

7th April 2025 | Review, Theatre and Gender, United States of America
Self-Ish Dramaturgy: Personal Practice At The Kennedy Center College Theatre Festival

6th April 2025 | Dramaturgy, Essay, Festivals
Violence Is Not Fate. Change Is Possible

3rd April 2025 | Playwriting, Theatre and Gender, Turkey
The Beauty of Cultural Specificity in “Bubble Schmeisis”

2nd April 2025 | New York, Review, Theatre and Religion
I Am Not Afraid For The Future Of The Theatre

2nd April 2025 | Croatia, Interview, Transcultural Collaborations, Translation
Underneath the Grass Roots

2nd April 2025 | New York, Review, Theatre and Art

March

Chris Fung’s “The Society for New Cuisine” at Omnibus Theatre: Exceptionally Powerful Monologue About Grief And Mental Torment

28th March 2025 | Acting, London, Review, United Kingdom
The Rebellious Power of “Liberation” at Roundabout Theatre Company

27th March 2025 | New York, Review, Theatre and Gender
Theatre “Haunts” People

26th March 2025 | Festivals, Interview, Playwriting, Romania
Nikoletta Soumelidis’s Spent at the Old Red Lion Theatre: Intriguing And Suggestive Exploration Of Gender Roles

21st March 2025 | London, Playwriting, Review, United Kingdom
Getting To an Emotional Truth With Padraic Lillis

19th March 2025 | Dramaturgy, Interview, Producing, United States of America
Brave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”

18th March 2025 | Directing, Review, Serbia
“The Pillars of the Earth”: The Evolution of Spanish Musical Theatre. An exclusive interview with Iván Macías. Part I

12th March 2025 | Interview, Musical Theatre, Spain
An Innovative “Romeo E Giulietta” In Milan

10th March 2025 | Directing, Italy, Review
Woman Is A Changeling: Redefining Femininity In “Maiden Mother Crone”

8th March 2025 | Review, Theatre and Gender, United States of America
Nick Payne’s One Day When We Were Young at Park Theatre: Time-Hopping Love Story Is Restrained By The Slenderness of the Plot

5th March 2025 | Acting, Playwriting, Review, United Kingdom
Victor’s Journey

5th March 2025 | Italy, Review, Theatre and Science
The Showcase Is To Feed From Academic Research And Knowledge, But It Is Hands-On Job Rather Than Dry Research

4th March 2025 | Interview, Theatre and Politics, Turkey
2024 Dublin Theatre Festival – Subjective Report [Part II]

4th March 2025 | Acting, Festivals, Ireland
2024 Dublin Theatre Festival – Subjective Report [Part I]

4th March 2025 | Acting, Festivals, Ireland
Bridging Worlds: Bahram Beyzaie’s “Naqqali Trilogy” Wins The 2024 ASTR Translation Award Prize

3rd March 2025 | Books, Iran, Playwriting, Translation
Review Of “Bernarda Albas Haus,” Deutsches Schauspielhaus Hamburg, Première 2 November 2024.

3rd March 2025 | Germany, Review, Theatre and Gender
Giuliana Musso Performs Franz Kafka’s “The Ape”

2nd March 2025 | Italy, Review, Theatre and Politics

February

Coral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience

26th February 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom
Laura Horton’s Lynn Faces at the New Diorama Theatre: Surreal Gig Theatre Event Explores Coercive Control Through Comedy

21st February 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
Beyond the Canvas: The Art of Candida Alvarez

21st February 2025 | New York, Transmedia, United States of America
Polish-American Migrant Theatre: Teatr NASZ From Chicago On Tour In Florida

18th February 2025 | Poland, Transcultural Collaborations, United States of America
Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]

17th February 2025 | Interview, Theatre and AI, Theatre and Science, United States of America
“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]

16th February 2025 | Interview, Theatre and AI, Theatre and Science, United States of America
Playwriting Awards in Taiwan: Recognition and Reality

14th February 2025 | Essay, News, Playwriting, Taiwan
Show/Boat: A River Slashes Open an Old Classic

13th February 2025 | Musical Theatre, New York, Review
The Horror of Mundanity in NYTW’s A Knock On the Roof

13th February 2025 | New York, Review, Theatre and Politics
Dropping Balms

13th February 2025 | Review, Theatre and Politics, United States of America
Culture Belongs To Humanity! Not To The Armies

12th February 2025 | Greece, Interview, Theatre and Politics
Eline Arbo’s The Years At The Harold Pinter Theatre: Nobel Prize Winner Annie Ernaux’s Book Gets A Problematic West-End Staging

10th February 2025 | Adaptation, London, Review, United Kingdom
Getting Known

10th February 2025 | Directing, Review, United States of America
Тim Rice – 80: The Нero and His Many Anniversaries. Part II

7th February 2025 | Dramaturgy, Interview, Musical Theatre, United States of America
From Lawyer to Lyricist/Librettist: An Artist Profile of Jill Ohayon

7th February 2025 | China, Directing, Musical Theatre, United States of America, Worldwide
A Dystopian Sci-Fi: “Honey, I’m Home”

6th February 2025 | Canada, Review, Theatre and AI, Theatre and Science
There Is Nothing To Know About The Theatre, There Is Everything To Discover About Theatre

5th February 2025 | Playwriting, Slovenia, Theatre and Gender
Lucy Kirkwood’s “The Welkin” (“Empireo”) In Milan

4th February 2025 | Italy, Review, Theatre and Gender
A Canadian Epic: “Come From Away”

4th February 2025 | Canada, Review, Transcultural Collaborations, United States of America
Rameau reinvented: Peter Sellars stages “Castor et Pollux” at the Opéra National de Paris

3rd February 2025 | France, Review, Theatre and Opera
V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part II]

2nd February 2025 | Acting, Interview, Transcultural Collaborations
V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]

2nd February 2025 | Acting, Interview, Transcultural Collaborations

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The Trans Excellence of Faggotica 13th February 2026
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“The Devil Wears Prada” and Other Musicals by Sir Elton John. 8th February 2026
The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025 6th February 2026
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Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”) 6th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina) 5th February 2026
Bad Data 4th February 2026

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