Melbourne

“The Chat” Puts Audiences in The Hot Seat

Posted by Alexandra Crosby | 15th Aug 2016 | Australia, Melbourne, Participatory Theatre, Review

As the ethics of punishment are debated in mainstream media, statistics, images and unanswerable...

Read More

Goodbye To All That: Orwell’s “1984” Is A Boot Stamping On A Human Face No More

Posted by Robert Hassan | 14th Oct 2015 | Adaptation, Australia, Melbourne, Review

The blurb for Robert Icke and Duncan Macmillan’s stage adaption of George Orwell’s 1984 for the...

Read More

Defying Tradition: 32 Rue Vandenbranden and the Flemish Wave

Posted by Anny Mokotow | 13th Oct 2015 | Australia, Festivals, Melbourne, News, Transcultural Collaborations

Last week, Melbourne Festival opened with a production from the Belgian dance theatre...

Read More

Redefining The (Able) Body

Posted by Yoni Prior | 29th Sep 2015 | Australia, Melbourne, Review, Theatre and Disability

When I first travelled overseas, fresh out of university in the early 1980s, I found myself in the...

Read More

“Antigone” Now: Greek Tragedy Is The Debate We Have To Have

Posted by Christine Lambrianidis | 18th Aug 2015 | Adaptation, Australia, Essay, Melbourne

When you hear the words Greek tragedy, you might think of white masks, or even the ongoing...

Read More

1
2

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
“With Ruby and I” – review –… by Verity Healey 3rd January 2026
Echoes of a Crumbling Republic: Review of… by Susanna Sun 4th January 2026
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025
Alan Ayckbourn’s Woman in Mind at the Duke of York’s… by Aleks Sierz 8th January 2026
Leading with Risk, Trust, and Intuition: An… by Susanna Sun 7th January 2026
Truth and Reconciliation in “Under the Shade… by Verity Healey 2nd January 2026

Recent Posts

Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker 29th January 2026
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro 27th January 2026
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity” 27th January 2026
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage 26th January 2026
Under The Radar Fest: Testo 23rd January 2026
Sharing Crafts, Or Laboratory Space 12th January 2026
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities 8th January 2026
Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling 8th January 2026
Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room 7th January 2026
Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen 6th January 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest