“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the...
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Show/Boat: A River Slashes Open an Old Classic
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
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The Horror of Mundanity in NYTW’s A Knock On the Roof
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
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Dropping Balms
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
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Getting Known
Beckett Briefs is a great title for a program of short plays by Ireland’s most famously laconic...
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Тim Rice – 80: The Нero and His Many Anniversaries. Part II
The first part of this interview is available here. Tim Rice has been lucky to work with many...
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From Lawyer to Lyricist/Librettist: An Artist Profile of Jill Ohayon
Jill Ohayon grew up believing there were only two respectable career paths: doctor or lawyer. And...
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A Canadian Epic: “Come From Away”
The Tony Award-winning Musical Come From Away, written by Irene Sankoff and David Hein, premiered...
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Disability, Kink, and Joy as Resistance in The Dan Daw Show
The Dan Daw Show’s long list of potentially triggering content includes depictions of kink...
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Sitting Down with Theater Artist Kate Rankine
Lyricist/Librettist Kate Rankine has a list saved on her phone of “golden moments”, or “little...
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A Feline Farewell: “MEOW!” Excavates Americana at Exponential Fest
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
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The Fire This Time Festival Enters Its 16th Year
Finding artists, nurturing them, supporting them. Seeing their work to fruition, and creating a community of support. We really try to do this at the Apollo New Works, too. It’s really how we continue to keep people and community.
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Тim Rice – 80: The Hero and His Many Anniversaries. Part I
In November 2024, the British songwriter, lyricist, and author, a man whose contribution to the...
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“We Live in Cairo”-Off-Broadway
We Live in Cairo, written by The Lazours, is a historical musical set in Egypt during the Arab...
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“DRAG: The Musical.” An exclusive interview with Alaska Thunderfuck
One of the main achievements of DRAG: The Musical, which premiered at the New World Stages in New...
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Fruiting Body: What Mushroom-To-Human Conversations Reveal In A New Off-Broadway Play
How do you explain the concept of childbirth to an alien intelligence, such as that of fungi? Are...
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The Revolutionary Spirit is Alive in “We Live in Cairo”
Though many people rushed to them post election, the musical of our political moment is not...
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The Many Monsters of Ars Nova’s “The Beastiary”
Created by On the Rocks Theatre Co. (the two person co-writer and designer team Christopher Ford...
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“Kafkaesque!” A Musical That Is As Hilarious As It Is, Well, Kafkaesque
Emily Bronte doesn’t have an acronym but Franz Kafka does and Kafkaesque! Directed by Ashley...
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Director Laura Jones’ Career-Long Exploration Of Beckett Concludes With “Godot”
One day, Laura Jones was late to pick up her three-year-old daughter, Amy. Not a happy moment for...
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