Medea as a Border-Body [Part II]
To read PART I of this essay, go to this link. The snake that Medea uses to make her...
Read More![Medea as a Border-Body [Part II]](https://thetheatretimes.com/wp-content/uploads/2024/06/Image-2-627x376.jpg.webp)
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At the Intersection of Interactive Mediums: “DIRT” Blends Games and Theater at The Tank
Do you ever wish you could have a say in how your city developed its land? Well, this month, New...
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Water for Elephants: a Musical or a Circus Drama?
Everyone knows that musical is a synthetic genre in which a story is being told by means of...
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New Play “American Signs” Looks At The Nefarious World Of Consultancies – But Leaves Australia Off The Hook
Anchuli Felicia King’s new one-performer piece, American Signs, written for the talented Catherine...
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“Laughs In Spanish” Review
Laughs in Spanish by Miami native Alexis Scheer is a love letter to her city, specifically the...
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The Plasticity of Perception: “Babies on the Street: The Show” Brings Internet Drama to The Brick
Hillary Gao and Matthew Antoci adapt an internet tirade and examine perception and forgiveness with Babies on the Street, playing at The Brick in July.
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Exploring A Dystopian World: Where Water Reigns Supreme In Human Transactions
In a world devastated by the apocalypse, where water has become the new currency of human...
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When Sondheim Meets TikTok
Does Stephen Sondheim make you want to throw ass? Does the score of Sunday in the Park with George...
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Netherworld or Right Now?
Staged in the round with fewer than 25 people in a white box that feels like a gallery space, The...
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Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-Winning Play Shows the Impacts of a Second Language on Identity
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
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When Theatre Meets Gaming: “Third Law” at Culture Lab LIC
I’ve long been fascinated by the concept of incorporating video game mechanics into theatrical...
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Holes In The Hole
When I first heard that Suzan-Lori Parks had taken up the story of Thomas Jefferson and Sally...
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Prominent American Theatre Scholar, Elinor Fuchs, Dies at 91
Elinor Fuchs, a trailblazing theater scholar, critic, and playwright, passed away on May 28, 2024,...
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Like Mother, Like Son: “Redemption Story” at A.R.T./NY
My first thought upon entering Redemption Story at A.R.T./NY was that of boldness: I can’t recall...
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The Return of the Musical “Titanic” to NYC
Most historic dates and events fade from view after a few years, especially as witnesses age and...
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“English,” a Gate to Enriching Desired Dreams
Do you speak any languages besides your mother tongue, especially as an adult learner? How do you...
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From Exile to Redemption
Solo Performers John Rwothomack and Fidaa Zidan join forces to unravel the discovery of life after political rallies and prison sentences in Lines.
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Mad Spring Roundup
Well, it’s happened again. The torrid pace of new openings this spring has outstripped my ability...
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Follies and Murder Ballads and Extinction, Oh My!: New York City Fringe 2024
2024’s New York City Fringe has come to an end, eighteen nights of shows enjoyable, waspish,...
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Who’s Afraid of Thomas Stockmann?
The last time Ibsen’s An Enemy of the People (1882) made a big splash in New York was in 2013,...
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