Scottish Nursery School Kids Bring A Comedic Shakespeare To The Fringe
A unique feature of Edinburgh’s Fringe festival is its inclusive nature. Professional and...
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United Kingdom
Luke Wright, A Spoken-Word Poet At The Top Of His Game
Spoken word poetry has a huge following in the UK, and Luke Wright is one of the most talented...
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“Freak Out!” A Heady Cocktail About Climate Change
On the Edinburgh Fringe the number of plays investigating climate change is growing each year, and...
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“In Two Minds.” Female Led Irish Storytelling
In Two Minds, produced by Dublin’s celebrated multi-award winning Fishamble, is playing at...
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“Penthesilea” After Von Kleist. Let’s Rock
Director of the Edinburgh International Festival (EIF), Nicola Benedetti, chose ‘Rituals that...
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“Hamstrung.” Yorick’s Untold Story
Hamlet, along with A Midsummer Night’s Dream, The Tempest and Macbeth, are probably the...
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“The Outrun”
Amy Liptrot’s bestselling memoir, The Outrun (2016) has recently been genre hopping. In January...
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“Dorian the Musical:” This Rock Adaptation Of Oscar Wilde’s Classic Missteps At Every Turn
In the preface to The Picture of Dorian Gray (1890), Oscar Wilde wrote: “There is no such thing as...
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The Bounds, Royal Court
Every day this week I’m watching a football match, and now — after April’s production of Lydia...
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“The Marilyn Conspiracy,” Park Theatre
The death of Marilyn Monroe, on 4 August 1962, is a wet dream for conspiracy theorists. Like the...
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“The Constituent,” Old Vic
Good timing — as the UK’s general election campaign goes into its final week, this large-scale...
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“My Father’s Fable,” Bush Theatre
Following the huge success of Benedict Lombe’s Shifters, which transfers soon to the West End, the...
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Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-Winning Play Shows the Impacts of a Second Language on Identity
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
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“Lie Low,” Royal Court
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
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“Bluets,” Royal Court
When does creativity become mannered? When it’s based on repetition, and repetition without...
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“The Harmony Test,” Hampstead Theatre
“Welcome to motherhood, bitch!” By the time a character delivers this reality check, there have...
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“Between Riverside And Crazy,” Hampstead Theatre
It’s often said that contemporary American playwrights are too polite, too afraid of giving...
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Refugee Voices Take Centre Stage At UK Theatre Company
In a darkly lit arts studio in London, five young actors highlight their scripts and go over...
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How To Recognise Us? The Foreign Women In London: Theatre Review Of “Don’t Get Me Wrong”
Amidst the bustling metropolis of London, a group of aspiring theatrical talents (Kelly Guibal, Flavia Di Saverio, Thelma Osorio Euan, Maria Luc, Hana Tamaru, Arianna Folini) took to the stage at The Hen & Chicken Theatre in March 2024 to present their musical production, “Don’t Get Me Wrong”. Through their performance, they delved into the intricate tapestry of challenges and joys experienced by those navigating life in the vibrant yet daunting urban landscape of the UK’s largest city.
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“Gunter,” Royal Court
Readers who don’t think much of football won’t be surprised to hear that this tale of murder and...
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