We Passed Through The Wall Of Sorrow Together
We are an avant-garde theatre group, and after our successful performance of The History Boys by...
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Iran
Theatres In Tehran Rise From The Ruins Of The Iran-Israel War
“The homeland is not only a piece of land, it’s a memory, it’s love, it’s pain” is a line of...
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Bridging Worlds: Bahram Beyzaie’s “Naqqali Trilogy” Wins The 2024 ASTR Translation Award Prize
In November, the American Society for Theatre Research (ASTR) awarded the 2024 Translation Prize...
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Peter J. Chelkowski: A Life of Scholarship And Cultural Exchange
Milad Azarm in conversation with Mohammadreza Khaki Peter J. Chelkowski, an esteemed scholar and...
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Pari Saberi: A Pioneering Woman In Iranian Theatre Passes Away At 92
Pari Saberi, an influential Iranian playwright, director, novelist, translator, and actress, was...
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Report From The Underground: A New Iranian Theatre
For many Iranians, the contemporary history of the country is divided into before and after...
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Ali Asghar Dashti & Nasim Ahmadpour – “We Came To Dance” (Kunstenfestivaldesarts)
“Can we fundamentally give a dancer an order to stop moving? […] Is dance not defined as the...
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Digital Play Dissecting Consumerism Culture, A Review of “Rich Kids: A History of Shopping Malls in Tehran”
The play Rich Kids: A History of Shopping Malls in Tehran, authentically narrates the story of a...
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Review: “UnTuned” (Golvareh)
It’s hard to prepare for life’s high and lows when you think too highly of yourself to expect...
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Rabbits in the Circus of COVID Isolation: A Review of “White Rabbit Red Rabbit”
The play White Rabbit Red Rabbit is an experimental piece by the Iranian playwright Nassim...
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Fadjr Theater Festival Stages Plays Despite COVID-19
The 39th Fadjr International Theater Festival celebrated a wide range of performances, from staged...
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Interview with James Shapiro on Adaptation of Shakespeare Plays on the Contemporary Stage
James Shapiro is a Shakespeare scholar and a professor of English and Comparative Literature at...
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Repertoire Readings: Connecting the Past to the Present: Farinaz Kavianifar Interview with Ruhollah Jafari
Giti Theatre Group broke records raising funds for flood victims in Lorestan, Iran with a...
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Amid the Waters: Afghan Stories Stream Diversity on the Iranian Stage
I saw Amid the Waters amid the hustle and bustle of Tehran’s downtown at Tehran City Theatre...
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The Intercultural Journey of An Iranian Performing Artist
Niayesh Nahavandian is a young, Iranian female performing artist that has lived and worked in...
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Theaters in Iran Reopen Amid COVID-19 Concerns
After four months of closure, theaters in Iran are able to open because they implemented necessary...
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Musicals Dominating Tehran’s Theaters: The Box Office’s Popular Trend
A look at ongoing productions on Tehran’s stages shows a growing interest in box office hit...
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“Launcher 5,” or a Recipe to Make Young Men Monsters
Launcher 5’s honest rendition of narrative and characters is its winning card, which drew an...
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Shakespearean Tragedy Unfolds Wave of Populism on Tehran Stage
A Review on Iranian Adaptation of Coriolanus in Tehran A free adaptation of William Shakespeare’s...
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Laughing with a Burnt Heart: Will There Be an End to Hatred?
A successful play is a machine all of whose parts are thoughtfully selected to serve its overall...
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