“Aşınma” (“Corrosion”): A Solo Masterpiece About The Contemporary Human
In October 2025, Battersea Arts Centre hosted Aşınma (Corrosion) – a multi-award-winning theatre...
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Theatre and Politics
Dupes of Hazard
The farcical premise of Rajiv Joseph’s play Archduke—just opened at the Roundabout’s Laura Pels...
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Jack Holden’s The Line of Beauty at the Almeida Theatre: A Subtle And Appealing Adaptation Of A Modern Classic 1980s Story
Thatcher, and the image of Thatcher’s Britain, continues to cast a long shadow over contemporary...
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Checking The Boxes
I went to Caroline Guiela Nguyen’s Lacrima at BAM with great eagerness and curiosity. This was a...
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LegalAlien’s “The Flowers of Srebrenica”: Theatre as Healing
The Flowers of Srebrenica should be impossible to stage. Irish academic Aidan Hehir’s book, a...
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Welcome To The Machine
Among the most depressing facets of Donald Trump’s pathology is how all-consuming his hunger for...
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James Graham’s “Punch” at the Apollo Theatre: Compelling And Emotionally Intense Account Of Restorative Justice
Broken Britain has a big problem with youth. About a million of those aged 16 to 24 are NEETs (not...
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Shakespeare In The Park At The New Delacorte Theater: Love Is Gender Fluid
In a world where the rule is to make huge efforts to attain an “effortless, relaxed” look, the new...
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We Passed Through The Wall Of Sorrow Together
We are an avant-garde theatre group, and after our successful performance of The History Boys by...
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Edinburgh Festival Fringe 2025: Provisional Futures in a World on Fire
For the last thirty years of my attendance, the Edinburgh Festival Fringe has always been too big...
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“Swan Song”: Between Prophecy and Epitaph
A provincial theatre celebrates an anniversary. In the dressing room — two men: a comic and a...
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Who’s Afraid of the Public? Reports from the Daehangno X Forum on the Shut-Down of TheatreIn
“Can we just disband the Seoul Foundation for the Arts and Culture entirely and start over?” A...
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An Exploration Through The Convoluted Layers Of “Blind Runner”
Blind Runner, the latest play by Amir Reza Koohestani, was performed from January 4 to 24, 2025,...
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Theatres In Tehran Rise From The Ruins Of The Iran-Israel War
“The homeland is not only a piece of land, it’s a memory, it’s love, it’s pain” is a line of...
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Off-Limits Love: Abby Rosebrock’s “Lowcountry,” A New Play at the Atlantic Theater
Abby Rosebrock’s Lowcountry, a new play directed by Jo Bonney at the Atlantic Theater, begins with...
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Curtain-Up in Taipei: A City Stages Its Own Tonys
In New York City, the window between May and June signals the arrival of Tony Awards season....
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Terence Rattigan’s In Praise of Love at the Orange Tree Theatre: Rarely Revived 1973 Study Of Love In A Time Of Deception
Only the truth, we are told, can set us free — but there are times in love when the New Testament...
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Man Out Of The Blue
Angry Alan is an ickily pointed cautionary tale about an ordinary guy who falls into the rabbit...
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Ubu Is The Symbol Of Rebellion Tyranny And Stupidity/Budget Cuts In Culture – A Serious Threat
An Interview with Chantal Boiron, editor-in-chief for UBU Scenes d`Europe/European Stages, Paris,...
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”The Village”, Revolver Copenhagen
There is a big screen hanging above the stage on which four faces in four individual frames are...
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The Queen of Versailles Musical or the Funeral of… 29th October 2025 - “Trilogia Cadela Força – Capítulo II:… 6th August 2025
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