“Hamlet²” (“Amleto²”)
In late January and early February, Filippo Timi’s Hamlet² played to full houses at the 500-seater...
Read MorePosted by Margaret Rose | 17th Feb 2026 | Adaptation, Italy, Review
In late January and early February, Filippo Timi’s Hamlet² played to full houses at the 500-seater...
Read MorePosted by Susanna Sun | 24th Dec 2025 | Adaptation, Interview, United States of America
Praised by the Houston Chronicle as “one of the most original voices in American theater today,”...
Read MorePosted by Vassili Schedrin | 7th Dec 2025 | Adaptation, Review, United States of America
Dostoevsky is hard to read, harder to translate, and even harder to adapt for stage. The Mutt by...
Read MorePosted by Daniel Meyer-Dinkgräfe | 28th Nov 2025 | Adaptation, Directing, Germany, Review
Der Schimmelreiter (The Rider on the White Horse) is a novella by German writer Theodor Storm...
Read MorePosted by Margaret Rose | 23rd Nov 2025 | Adaptation, Italy, Review
Two major productions of Richard III are touring Italy in the present season, a sign perhaps that...
Read MorePosted by Jonathan Kalb | 20th Nov 2025 | Adaptation, Review, United States of America
The British directing star Robert Icke specializes in contemporary adaptations of classics. He...
Read MorePosted by Emilija Kvočka | 7th Nov 2025 | Adaptation, Review, Serbia
Before the audience of the play 3sisters, with their eyes wide open, a music box, the girls on...
Read MorePosted by Aleks Sierz | 30th Oct 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
In 2023, Malaysian actor Michelle Yeoh won the Best Actress Oscar for her performance in...
Read MorePosted by Jonathan Kalb | 14th Oct 2025 | Adaptation, Review, United States of America
James Graham’s play Punch tells the true story of a shiftless, belligerent rowdy who heedlessly...
Read MorePosted by Victoria Zavyalova | 19th Sep 2025 | Adaptation, New York, Review, United States of America
With minimal décor and symbolism in every gesture, The Mutt — an adaptation of Dostoevsky’s The...
Read MorePosted by Emiliia Dementsova | 5th Aug 2025 | Adaptation, Azerbaijan, Review, Theatre and Politics
A provincial theatre celebrates an anniversary. In the dressing room — two men: a comic and a...
Read MorePosted by Duška Radosavljević | 2nd Jul 2025 | Adaptation, Denmark, Review
Imagine Ibsen’s A Doll’s House, staged as a sort of salon game, in a real couple’s home serving as...
Read MorePosted by Jonathan Kalb | 12th Apr 2025 | Adaptation, New York, Review
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
Read MorePosted by Aleks Sierz | 10th Feb 2025 | Adaptation, London, Review, United Kingdom
Marketing is the new real. For many years, in theatre as elsewhere in society, the most important...
Read MorePosted by Aleks Sierz | 20th Jan 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
Is resilience the most powerful character trait? When you think about the suffering of the...
Read MorePosted by Aleks Sierz | 20th Oct 2024 | Adaptation, London, Review, United Kingdom
The myth of Oedipus is so central to our psychic world that I was really surprised how many people...
Read MorePosted by Walter Byongsok Chon | 9th Oct 2024 | Adaptation, Festivals, Interview, Singapore
The 6th biennial Singapore Literature Festival is held in New York City on October 19 and 20,...
Read MorePosted by Margaret Rose | 31st Aug 2024 | Adaptation, Edinburgh 2024, Review, Scotland
A cast of young actors from diverse parts of the globe brought Malvolio’s Fantasy to the Space...
Read MorePosted by Jack Wernick | 20th Aug 2024 | Adaptation, Argentina, Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
Read MorePosted by Kate Hunter | 24th Jul 2024 | Adaptation, Australia, Review
What if significant portions of William Shakespeare’s text for Macbeth had been lost, leading to a...
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