Latest Archives - Page 8 of 278

Getting Known

Posted by Jonathan Kalb | 10th Feb 2025 | Directing, Review, United States of America

Beckett Briefs is a great title for a program of short plays by Ireland’s most famously laconic...

Тim Rice – 80: The Нero and His Many Anniversaries. Part II

Posted by Lisa Monde | 7th Feb 2025 | Dramaturgy, Interview, Musical Theatre, United States of America

The first part of this interview is available here. Tim Rice has been lucky to work with many...

From Lawyer to Lyricist/Librettist: An Artist Profile of Jill Ohayon

Posted by Morgan Skolnik | 7th Feb 2025 | China, Directing, Musical Theatre, United States of America, Worldwide

Jill Ohayon grew up believing there were only two respectable career paths: doctor or lawyer. And...

A Dystopian Sci-Fi: “Honey, I’m Home”

Posted by Berna Ataoğlu | 6th Feb 2025 | Canada, Review, Theatre and AI, Theatre and Science

Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...

There Is Nothing To Know About The Theatre, There Is Everything To Discover About Theatre

Posted by Ivanka Apostolova Baskar | 5th Feb 2025 | Playwriting, Slovenia, Theatre and Gender

An Interview with playwright, dramaturg and director – Simona Semenic (Ljubljana, Slovenia)...

Lucy Kirkwood’s “The Welkin” (“Empireo”) In Milan

Posted by Margaret Rose | 4th Feb 2025 | Italy, Review, Theatre and Gender

Some of the outstanding works by British playwright Lucy Kirkwood are finally being staged in...

A Canadian Epic: “Come From Away”

Posted by Berna Ataoğlu | 4th Feb 2025 | Canada, Review, Transcultural Collaborations, United States of America

The Tony Award-winning Musical Come From Away, written by Irene Sankoff and David Hein, premiered...

Rameau reinvented: Peter Sellars stages “Castor et Pollux” at the Opéra National de Paris

Posted by Maria Delgado | 3rd Feb 2025 | France, Review, Theatre and Opera

Peter Sellars isn’t afraid of taking risks. It’s part of his approach to making work, as his 2024...

V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part II]

Posted by Ivanka Apostolova Baskar | 2nd Feb 2025 | Acting, Interview, Transcultural Collaborations

To read PART I of this interview, go to this link. Collective Interview with V4 Improv...

V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]

Posted by Ivanka Apostolova Baskar | 2nd Feb 2025 | Acting, Interview, Transcultural Collaborations

Collective Interview with V4 Improv Connect Team (Hon Chong (actor, director – Slovakia),...

Europe As a Beautiful Mess: An Interview with Heidi Wiley, Executive Director of ETC

Posted by Ina Doublekova | 26th Jan 2025 | Interview, Producing, Theatre and Politics

For 15 years now, Heidi Wiley has been Executive Director of the largest and most influential...

The Visit

Posted by Margaret Rose | 24th Jan 2025 | Immersive Theatre, Italy, Review

Director Romeo Castellucci is coming to the end of a four-year collaboration with Milan’s...

Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman

Posted by Aleks Sierz | 22nd Jan 2025 | Covid-19, London, Playwriting, Review, United Kingdom

Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...

Disability, Kink, and Joy as Resistance in The Dan Daw Show

Posted by Morgan Skolnik | 22nd Jan 2025 | New York, Review, Theatre and Disability

The Dan Daw Show’s long list of potentially triggering content includes depictions of kink...

Roy Williams’s The Lonely Londoners at the Kiln Theatre: Superb Stage Adaptation Of The Classic Sam Selvon Windrush Novel

Posted by Aleks Sierz | 20th Jan 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom

Is resilience the most powerful character trait? When you think about the suffering of the...

Sitting Down with Theater Artist Kate Rankine

Posted by Morgan Skolnik | 17th Jan 2025 | Interview, Musical Theatre, New York

Lyricist/Librettist Kate Rankine has a list saved on her phone of “golden moments”, or “little...

A Feline Farewell: “MEOW!” Excavates Americana at Exponential Fest

Posted by Andrew Agress | 15th Jan 2025 | Festivals, Interview, New York, United States of America

What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...

The Fire This Time Festival Enters Its 16th Year

Posted by Marcina Zaccaria | 7th Jan 2025 | Interview, New York, Playwriting

Finding artists, nurturing them, supporting them. Seeing their work to fruition, and creating a community of support. We really try to do this at the Apollo New Works, too. It’s really how we continue to keep people and community.

The Beginnings of Theatre in Iraq

Posted by Amir Al-Azraki | 31st Dec 2024 | Essay, Iraq, Theatre and Politics

Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...

From Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”

Posted by Ilinca Todoruţ | 31st Dec 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review

Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...

Latest

Getting Known

Тim Rice – 80: The Нero and His Many Anniversaries. Part II

From Lawyer to Lyricist/Librettist: An Artist Profile of Jill Ohayon

A Dystopian Sci-Fi: “Honey, I’m Home”

There Is Nothing To Know About The Theatre, There Is Everything To Discover About Theatre

Lucy Kirkwood’s “The Welkin” (“Empireo”) In Milan

A Canadian Epic: “Come From Away”

Rameau reinvented: Peter Sellars stages “Castor et Pollux” at the Opéra National de Paris

V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part II]

V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]

Europe As a Beautiful Mess: An Interview with Heidi Wiley, Executive Director of ETC

The Visit

Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman

Disability, Kink, and Joy as Resistance in The Dan Daw Show

Roy Williams’s The Lonely Londoners at the Kiln Theatre: Superb Stage Adaptation Of The Classic Sam Selvon Windrush Novel

Sitting Down with Theater Artist Kate Rankine

A Feline Farewell: “MEOW!” Excavates Americana at Exponential Fest

The Fire This Time Festival Enters Its 16th Year

The Beginnings of Theatre in Iraq

From Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”

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