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I Am Not Afraid For The Future Of The Theatre

Posted by Ivanka Apostolova Baskar | 2nd Apr 2025 | Croatia, Interview, Transcultural Collaborations, Translation

An Interview with Ms. Zeljka Turcinovic – dramaturg, editor of magazines: Croatian Theatre and...

Underneath the Grass Roots

Posted by Jonathan Kalb | 2nd Apr 2025 | New York, Review, Theatre and Art

Alice Childress has been having a moment the past few years. This extraordinary Black playwright,...

Chris Fung’s “The Society for New Cuisine” at Omnibus Theatre: Exceptionally Powerful Monologue About Grief And Mental Torment

Posted by Aleks Sierz | 28th Mar 2025 | Acting, London, Review, United Kingdom

Anxiety. Apprehension. Angst even. Yes, that’s the feeling that rises in me as I come into the...

The Rebellious Power of “Liberation” at Roundabout Theatre Company

Posted by Morgan Skolnik | 27th Mar 2025 | New York, Review, Theatre and Gender

Much like the women it centers on, Roundabout Theatre Company’s Liberation is rebellious and not...

Theatre “Haunts” People

Posted by Ivanka Apostolova Baskar | 26th Mar 2025 | Festivals, Interview, Playwriting, Romania

An Interview with Mr. Horia Gârbea – Playwright, dramaturg, translator, Bucaresti, Romania Horia...

Nikoletta Soumelidis’s Spent at the Old Red Lion Theatre: Intriguing And Suggestive Exploration Of Gender Roles

Posted by Aleks Sierz | 21st Mar 2025 | London, Playwriting, Review, United Kingdom

One of the joys of contemporary playwriting is its openness to flexible casting. In Ruby Thomas’s...

Getting To an Emotional Truth With Padraic Lillis

Posted by Marcina Zaccaria | 19th Mar 2025 | Dramaturgy, Interview, Producing, United States of America

Getting to the truth – the emotional truth and understanding. I think emotion more than ideology. It resonates with us is how we feel. I can understand that we can be in conflict, I have an emotional connection to both sides of an emotional argument. I not only resonate and feel seen, then I have a better understanding of the person whose thought was in opposition of me.

Brave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”

Posted by Emilija Kvočka | 18th Mar 2025 | Directing, Review, Serbia

The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...

“The Pillars of the Earth”: The Evolution of Spanish Musical Theatre. An exclusive interview with Iván Macías. Part I

Posted by Lisa Monde | 12th Mar 2025 | Interview, Musical Theatre, Spain

In November 2024, the world premiere of a new musical by composer Iván Macías, The Pillars of the...

An Innovative “Romeo E Giulietta” In Milan

Posted by Margaret Rose | 10th Mar 2025 | Directing, Italy, Review

In February I caught Antonio Syxty’s staging of Romeo e Giulietta (Romeo and Juliet) at Milan’s...

Woman Is A Changeling: Redefining Femininity In “Maiden Mother Crone”

Posted by Emily Cordes | 8th Mar 2025 | Review, Theatre and Gender, United States of America

But a woman is a changeling, always shifting shape Just when you think you have it figured out...

Nick Payne’s One Day When We Were Young at Park Theatre: Time-Hopping Love Story Is Restrained By The Slenderness of the Plot

Posted by Aleks Sierz | 5th Mar 2025 | Acting, Playwriting, Review, United Kingdom

How long would you wait for your soulmate? In “The Demon Lover”, a short story by Elizabeth Bowen,...

Victor’s Journey

Posted by Margaret Rose | 5th Mar 2025 | Italy, Review, Theatre and Science

Rarely have I spent such an intense ninety minutes watching a show, as I did the other evening at...

The Showcase Is To Feed From Academic Research And Knowledge, But It Is Hands-On Job Rather Than Dry Research

Posted by Ivanka Apostolova Baskar | 4th Mar 2025 | Interview, Theatre and Politics, Turkey

Interview with Handan Salta – co-founder of the Istanbul Theatre Showcase – TheatreIST, theatre...

2024 Dublin Theatre Festival – Subjective Report [Part II]

Posted by Michał Lachman | 4th Mar 2025 | Acting, Festivals, Ireland

To read PART I of this report, go to this link. The line of Irish productions at 2024...

2024 Dublin Theatre Festival – Subjective Report [Part I]

Posted by Michał Lachman | 4th Mar 2025 | Acting, Festivals, Ireland

My carefully planned visit to the 2024 Dublin Theatre Festival started and ended in unexpected...

Bridging Worlds: Bahram Beyzaie’s “Naqqali Trilogy” Wins The 2024 ASTR Translation Award Prize

Posted by Diana Fathi | 3rd Mar 2025 | Books, Iran, Playwriting, Translation

In November, the American Society for Theatre Research (ASTR) awarded the 2024 Translation Prize...

Review Of “Bernarda Albas Haus,” Deutsches Schauspielhaus Hamburg, Première 2 November 2024.

Posted by Geraldine Brodie | 3rd Mar 2025 | Germany, Review, Theatre and Gender

Interpretations in cultures and languages external to Spain have been integral to the survival of...

Giuliana Musso Performs Franz Kafka’s “The Ape”

Posted by Margaret Rose | 2nd Mar 2025 | Italy, Review, Theatre and Politics

In his short story, A Report to an Academy, written and published in 1917, Franz Kafka imagines...

Coral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience

Posted by Aleks Sierz | 26th Feb 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom

Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...

Latest

I Am Not Afraid For The Future Of The Theatre

Underneath the Grass Roots

Chris Fung’s “The Society for New Cuisine” at Omnibus Theatre: Exceptionally Powerful Monologue About Grief And Mental Torment

The Rebellious Power of “Liberation” at Roundabout Theatre Company

Theatre “Haunts” People

Nikoletta Soumelidis’s Spent at the Old Red Lion Theatre: Intriguing And Suggestive Exploration Of Gender Roles

Getting To an Emotional Truth With Padraic Lillis

Brave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”

“The Pillars of the Earth”: The Evolution of Spanish Musical Theatre. An exclusive interview with Iván Macías. Part I

An Innovative “Romeo E Giulietta” In Milan

Woman Is A Changeling: Redefining Femininity In “Maiden Mother Crone”

Nick Payne’s One Day When We Were Young at Park Theatre: Time-Hopping Love Story Is Restrained By The Slenderness of the Plot

Victor’s Journey

The Showcase Is To Feed From Academic Research And Knowledge, But It Is Hands-On Job Rather Than Dry Research

2024 Dublin Theatre Festival – Subjective Report [Part II]

2024 Dublin Theatre Festival – Subjective Report [Part I]

Bridging Worlds: Bahram Beyzaie’s “Naqqali Trilogy” Wins The 2024 ASTR Translation Award Prize

Review Of “Bernarda Albas Haus,” Deutsches Schauspielhaus Hamburg, Première 2 November 2024.

Giuliana Musso Performs Franz Kafka’s “The Ape”

Coral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience

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