I Hold On To The Beautiful Side Of Theatre
Interview with theatre director Tamara Stojanoska, Skopje/Prilep, R.N. Macedonia. Interviewer...
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We Passed Through The Wall Of Sorrow Together
We are an avant-garde theatre group, and after our successful performance of The History Boys by...
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Edinburgh Festival Fringe 2025: Provisional Futures in a World on Fire
For the last thirty years of my attendance, the Edinburgh Festival Fringe has always been too big...
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German Summer Festival Theatre (2): Domfestspiele Verden, “Die Zündholzfrau”
In 1997, an association was founded in the German city of Verden on the river Aller, located...
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“No Apologies” by Emma Frankland, Edinburgh Festival Fringe 2025
Emma Frankland’s No Apologies achieves something genuinely rare: a radical reimagining that...
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“The Ego” by Anemone Valcke and Verona Verbakel, Edinburgh Festival Fringe 2025
Anemone Valcke and Verona Verbakel’s The Ego emerges from Ontroerend Goed’s theatrical...
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“Riot Days” by Pussy Riot, Edinburgh Festival Fringe 2025
What is the purpose of performing arts when the stakes are literally life and death? Pussy...
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“Thanks for Being Here” by Ontroerend Goed, Edinburgh Festival Fringe 2025
The Belgian Company Ontroerend Goed have been coming to the Edinburgh Fringe for so long that I...
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German Summer Festival Theatre (1): Theatersommer Wismar, Brecht/Weill The Threepenny Opera
Over the summer months, all of the publicly funded state and municipal theatres, as well as...
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“Aether”, Edinburgh Festival Fringe 2025
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
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“Little Bulb: Listen Dance”, Edinburgh Festival Fringe 2025
What does it take to get you up on your feet and into the groove? Whatever your disposition,...
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“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
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Duncan Macmillan’s Every Brilliant Thing at @Sohoplace: Moving Mixture Of Joyous Theatricality And Serious Mental Health Themes
Slowly, very slowly, the audience begins to arrive. Taking their seats, shedding jackets,...
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“A Poem And A Mistake,” Edinburgh Festival Fringe 2025
At the Edinburgh Fringe, the solo show, A Poem and a Mistake, is playing for the entire month of...
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“Works And Days” By The Fc Bergman Collective, Edinburgh International Festival
Works and Days the latest production of the FC Bergman collective, played at the Lyceum Theatre as...
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“Wild Thing!” By Mechanimal, Edinburgh Festival Fringe 2025
Out of the many venues at the Edinburgh Fringe Festival, Summerhall Arts is one that shines for...
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Sam Kissajukian’s “Three Hundred Paintings,” Edinburgh Festival Fringe 2025
Summerhall, one of Edinburgh’s busiest venues, known for its innovative, cutting-edge programme,...
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Mohamed El Khatib’s “La Vie Sècrete Des Vieux”: a Poetics of Attentive Listening
There are shows that may, on the surface, feel wafer thin, shows where nothing much seems to...
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“Make It Happen,” Edinburgh Festival Theatre 2025
The Edinburgh International Festival this year, welcomes several international trailblazers like...
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“Suburbia,” Written And Performed By Jonny Woo, Edinburgh Festival Fringe 2025
As I read the title of Jonny Woo’s latest show, Suburbia, I wondered how this celebrated...
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