“Swan Song”: Between Prophecy and Epitaph
A provincial theatre celebrates an anniversary. In the dressing room — two men: a comic and a...
Read MorePosted by Emiliia Dementsova | 5th Aug 2025 | Adaptation, Azerbaijan, Review, Theatre and Politics
A provincial theatre celebrates an anniversary. In the dressing room — two men: a comic and a...
Read MorePosted by Maria Delgado | 5th Aug 2025 | Festivals, Review, Spain
The first new production of Mark Rosenblatt’s Olivier-award-winning Giant since its London...
Read MorePosted by Aleks Sierz | 2nd Aug 2025 | London, Review, United Kingdom
Is there such a thing as the seven-year itch? Named after Billy Wilder’s 1955 comedy, which...
Read MorePosted by Mona Mirzaei | 30th Jul 2025 | Review, Theatre and Politics, United States of America, Worldwide
Blind Runner, the latest play by Amir Reza Koohestani, was performed from January 4 to 24, 2025,...
Read MorePosted by Daniel Meyer-Dinkgräfe | 28th Jul 2025 | Germany, Management, Review
Germany’s theatre landscape is very rich indeed. Many cities have publicly owned and funded...
Read MorePosted by Xunnan Li | 26th Jul 2025 | Avignon 2025, China, Chinese Theatre Abroad, Design, Review
Feng Lu’s “L’histoire d’un Accident”, presented in Avignon 2025, offers a layered exploration of theatrical space inspired by Henri Lefebvre’s theory of spatial production. The play unfolds through a play-within-a-play structure, blending backstage conflict, parody, and audience disruption to challenge the boundary between fiction and reality. A planted “spectator” blurs the line between performance and life, turning spatial ambiguity into a central aesthetic strategy. Rather than seeking clarity, the production invites audiences to dwell in uncertainty, where ambiguity becomes an essential part of how space is experienced, performed, and emotionally understood.
Read MorePosted by Margaret Rose | 20th Jul 2025 | Festivals, Immersive Theatre, Italy, Review
Director and writer Romeo Castellucci decided not to use one of the usual venues of the Theatre...
Read MorePosted by Jonathan Kalb | 19th Jul 2025 | Review, Theatre and Gender, United States of America
Emmanuelle Mattana’s Trophy Boys is a cheeky debut play that’s a lot of fun to watch, even if it...
Read MorePosted by Margaret Rose | 16th Jul 2025 | Festivals, Italy, Review, Transmedia, United States of America
Celebrated American actor Willem Dafoe, the new artistic director of the Venice Theatre Biennale,...
Read MorePosted by Aleks Sierz | 6th Jul 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
George Bernard Shaw is the supreme example of old writing. Maddeningly verbose, eye-poppingly...
Read MorePosted by Jonathan Kalb | 4th Jul 2025 | Review, Theatre and Politics, United States of America
Abby Rosebrock’s Lowcountry, a new play directed by Jo Bonney at the Atlantic Theater, begins with...
Read MorePosted by Duška Radosavljević | 2nd Jul 2025 | Adaptation, Denmark, Review
Imagine Ibsen’s A Doll’s House, staged as a sort of salon game, in a real couple’s home serving as...
Read MorePosted by Alma Prelec | 25th Jun 2025 | Review, Spain, Transcultural Collaborations
Juan Mayorga’s Los yugoslavos [The Yugoslavs] is, to-date, the only one of the acclaimed Spanish...
Read MorePosted by Aleks Sierz | 19th Jun 2025 | LGBTQ+ Theatre, Review, United Kingdom
Let us always remember the pioneers. Although there is a fair amount of relatively mainstream...
Read MorePosted by Aleks Sierz | 17th Jun 2025 | London, Review, Theatre and Politics, United Kingdom
Only the truth, we are told, can set us free — but there are times in love when the New Testament...
Read MorePosted by Emilija Kvočka | 13th Jun 2025 | Festivals, Review, Serbia
In honour of playwright Jovan Sterija Popović, Sterijino pozorje was held this year for the...
Read MorePosted by Jonathan Kalb | 10th Jun 2025 | Review, Theatre and Politics, United States of America
Angry Alan is an ickily pointed cautionary tale about an ordinary guy who falls into the rabbit...
Read MorePosted by Jonathan Kalb | 8th Jun 2025 | Review, Theatre and Age, United States of America
Jeffrey Hatcher’s new version of The Imaginary Invalid, directed by Jesse Berger, is a smart and...
Read MorePosted by Ariadne Mikou | 31st May 2025 | Italy, Review, Theatre and Dance
Under the artistic direction of the étoile Eleonora Abbagnato, Rome Opera House (Teatro dell’Opera...
Read MorePosted by Duška Radosavljević | 18th May 2025 | Denmark, Review, Theatre and Politics
There is a big screen hanging above the stage on which four faces in four individual frames are...
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