The Political Is Personal (Or Vice Versa)
During summer, the Flemish theatre lover catches up on what he missed during the season. And the...
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Essay
Women in New Zealand Theatre Hui
On the 19th September 2016, the 123rd anniversary of women gaining the right to vote in New...
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The Yellow Book by Eleonora Fabião
Everything started to me in 2007. Since then it is me and her work, through her work, from her...
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New Theatre in Ukraine: Rattle, Break, and Creation
New Theatre in Ukraine: Rattle, Break, and Creation Ukrainian theatre has been rattling since the...
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New Norwegian Drama and Text-Based Theatre, Part II
The independent theatre companies have at all times been champions for developing new texts for...
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For Emancipated Dramaturgy
I. The dramaturg as emancipated spectator I will begin with this assumption: Today the...
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Musings on Supertitles
Thinking about how to make supertitles more friendly, more accessible to an audience that is...
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Is there a Peruvian Theatre Canon? Part Two: “Collacocha” (1956) by Enrique Solari Swayne
Collacocha by Enrique Solari Swayne gains new life as it approaches its sixtieth year of production.
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How Theatre Is Tackling The Biggest Issue of All: The Future of Our Planet
Oil, Ella Hickson’s new play at the Almeida, begins in a bitingly cold Cornwall in 1889 when a...
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Unrest and Discontent – Political Theatre as Agonistic Field
The more the time we are living through seems out of joint, the harder it has been for the...
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Disabled Artists: Rio’s Paralympic Theatre
In January 2016, I took part of a round table entitled The Disabled People’s Protagonism in...
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Contemporary and Classic Possibilities
Ninasam Tirugata staged two plays — Kalandugeya Kathe and Atta Dari Itta Puli. One reads the...
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Norwegian Avant-Garde Theatre, Part I
The Norwegian theatre landscape is vast and heterogeneous; as different as the cultures and the...
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Krzysztof Warlikowski’s Queer Interventions
In Poland, the emergence of a public dialogue on alternative sexuality was first and foremost...
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Ta’ziyeh – Ritual Performance During Muharram
Muharram, the first month of the Islamic (lunar) calendar, coinciding this year with the seventh...
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Alternative Worlds and Dream Worlds
Katrin Brack and Barbara Ehnes, two set designers, have influenced and even changed the theatre....
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Contemporary New Play Development in Italy: A Playwright Shares Her Experience
“While Italy this year is celebrating 150 years as a single nation state, in many fields any sense of unity is still tenuous. Theatre and contemporary playwriting are no exceptions to this rule.” – Margaret Rose
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“An Enemy of the People”: The Egyptian Experience
It was September 2012 that I had decided to stage An Enemy of the People, by Henrik Ibsen. A play...
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Theatre Projects of Refugee Artists
On the German stage refugees are still often the authentic narrators of their fate, directed by...
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Is There a Peruvian Theatre Canon? Part One: “Ipacankure” (1968) by César Vega Herrera
How to determine which works of theatre belong in a canon is a perennial question, especially...
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