Review: More Important Halves, Teatar Mašina igre in Collaboration with Teatar & TD in Zagreb, Croatia
What have millennial women fought for? “Did we fight for that? Why we fought for nothing,” cries...
Read MorePosted by Mila Bulimbasic Botteri | 7th Jul 2020 | Croatia, Documentary Theatre, Review
What have millennial women fought for? “Did we fight for that? Why we fought for nothing,” cries...
Read MorePosted by Mila Bulimbasic Botteri | 1st Jun 2020 | Bosnia, Documentary Theatre, Review
“Who was human before the war, remained so”, says one of the actors in the beginning of the play...
Read MorePosted by Mila Bulimbasic Botteri | 28th Apr 2020 | Acting, Croatia, Review
Arthur Miller’s The Crucible had its premiere last spring at the Croatian People’s Theatre...
Read MorePosted by Mila Bulimbasic Botteri | 1st Apr 2020 | Germany, London, Review, United Kingdom
“The theatre is a device for empathy – its job is to create better people.” Those are the words of...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026 
Sadness And Mourning Dominate Theater Bremen’s “Hamlet” by Daniel Meyer-Dinkgräfe 16th June 2026 | M | T | W | T | F | S | S |
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