A Tragedy With A Happy Ending: “The Emperor And The Concubine” By The China National Peking Opera Company At London’s Sadler’s Wells
The long-term collaboration between the China National Peking Opera Company (Guojia jingju yuan)...
Read MorePosted by Letizia Fusini | 17th Nov 2018 | China, London, Review, United Kingdom
The long-term collaboration between the China National Peking Opera Company (Guojia jingju yuan)...
Read MorePosted by Letizia Fusini | 13th Nov 2018 | China, Chinese Theatre Abroad, London, Review, United Kingdom
As part of the China Focus Events Series, the British Library, in collaboration with Sinolink...
Read MorePosted by Letizia Fusini | 8th Jun 2018 | China, Essay, Playwriting
The place of dramatic tragedy in the twentieth century was one of extreme ambiguity and...
Read MorePosted by Letizia Fusini | 20th May 2018 | Acting, China, Essay
The German playwright and drama theorist Bertolt Brecht (1898-1956) is particularly famous for...
Read MorePosted by Letizia Fusini | 14th Feb 2018 | Adaptation, China, Review, Theatre and Opera
Conceived in 2016 in Guangzhou and previously performed in Beijing and St. Petersburg, the...
Read MorePosted by Letizia Fusini | 5th Nov 2017 | China, Chinese Theatre Abroad, London, Review, Theatre and Opera, United Kingdom
Founded in 1955 by the renowned Chinese theatre star Mei Lanfang, the China National Peking Opera...
Read More



“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 

Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026