NEMPAC Opera Project’s “Juneteenth”: Opera in the Key of Freedom
After more than a year of American racial unrest since the high-profile deaths of George Floyd and...
Read MorePosted by Katrina Holden-Buckley | 21st Jun 2021 | Boston, Featured, Review, Theatre and Opera, United States of America
After more than a year of American racial unrest since the high-profile deaths of George Floyd and...
Read MorePosted by Katrina Holden-Buckley | 5th Feb 2021 | Boston, Review, Theatre and Opera, United States of America
Speaking to a class in Rome years ago, I heard Tito Schipa Jr. speak about how opera is simply too...
Read MorePosted by Katrina Holden-Buckley | 30th Oct 2018 | Boston, Review, Theatre and Opera, United States of America
Gioachino Rossini’s most famous opera, The Barber Of Seville, opened Friday night at the Cutler...
Read MorePosted by Katrina Holden-Buckley | 21st Jun 2018 | Boston, Interview, Theatre and Opera, United States of America
This week, OperaHub’s original DIVAS, a “World Premier play with opera music” opens June 21st and...
Read MorePosted by Katrina Holden-Buckley | 10th Jun 2018 | Boston, Review, Theatre and Opera, United States of America
Boston Lyric Opera truly transformed the North End’s DCR Steriti Ice Rink into a 1950s Cuban style...
Read MorePosted by Katrina Holden-Buckley | 11th May 2018 | Boston, Review, Theatre and Opera, United States of America
Metrowest Opera had a full audience in the BCA’s smaller space on Saturday evening for their...
Read MorePosted by Katrina Holden-Buckley | 8th Apr 2018 | Boston, Review, Theatre and Opera, Theatre and Politics, United States of America
On Friday, March 23rd, Boston Lyric Opera continued its run of The Threepenny Opera to a sold-out...
Read MorePosted by Katrina Holden-Buckley | 11th Feb 2018 | Boston, LGBTQ+ Theatre, Review, Theatre and Opera
Saturday night at Longy School of Music’s Pickman Hall, As One had its Boston Premiere in the...
Read MorePosted by Katrina Holden-Buckley | 7th Feb 2018 | Boston, Devised Theatre, Review, Theatre and Dance
On a Sunday afternoon at the Cutler Majestic in Boston, Brodsky/Baryshnikov had its final Boston...
Read MorePosted by Katrina Holden-Buckley | 20th Oct 2017 | Boston, Review, Theatre and Opera, United States of America
Riding the line between political thriller and melodrama, Joseph Kerman described Puccini’s Tosca...
Read MorePosted by Katrina Holden-Buckley | 26th May 2017 | Boston, Theatre and Gender, Theatre and Opera, United States of America
While most scholars addressing issues of feminism in opera focus on the fate of women in opera...
Read MorePosted by Katrina Holden-Buckley | 18th May 2017 | Boston, Theatre and Opera
Productions by BOC have been leaner in the last few years as the company continues to carve out its identity through quite a bit of growth.
Read MorePosted by Katrina Holden-Buckley | 4th May 2017 | Boston, Theatre and Gender, Theatre and Opera, United States of America
Boston Lyric Opera’s The Marriage of Figaro opened on Friday to an audience that the John Hancock...
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