She is in her eighties when we meet her and shares with the audience the story of her life which began in a tiny Russian village, took her to Warsaw’s ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons and salsa-flavored nights in Miami beach.
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A series of questions filled my mind. What was the motivation behind the choice of sets and costumes? In my opinion, the only thing that really worked well set wise was the ever-present void on stage, the grave downstage in which all bodies were thrown in – a constant reminder of death and of Richard’s deeds.
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Since Dimitris Papaioannou is a relatively unknown creator to the American audience, I feel...
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Antigoni Gaitana Interviews Lawrence Edelson, Founder of ALT and Artistic and General Director of...
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The evening of April 25th marked the culmination of Opera America’s Onstage at the Opera...
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On March 16, 2017, New York City was still recovering from the last snowstorm. On this frozen...
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The Queen of Versailles Musical or the Funeral of… 29th October 2025 
“Lale Lili Marleen:” The Promising… 10th October 2025 
FITPTI – International Festival For Young… 31st October 2025 
“Trilogia Cadela Força – Capítulo II:… 6th August 2025 
James Graham’s “Punch” at the Apollo Theatre:… 30th September 2025 
Six-Hour Tour De Force “Hamlet” In Hamburg,… 27th October 2025 