New Aussie Musical “Bloom” Misses An Opportunity To Interrogate The Gaps In Aged Care – And In Our Social Fabric
Bloom, the new Australian musical produced by the Melbourne Theatre Company, is proudly billed by...
Read MorePosted by Sarah Austin | 29th Aug 2023 | Australia, Melbourne, Review, Theatre and Age
Bloom, the new Australian musical produced by the Melbourne Theatre Company, is proudly billed by...
Read MorePosted by Duška Radosavljević | 22nd Aug 2023 | Edinburgh 2023, Review, Scotland
There is a show at this year’s Fringe called Distant Memories of the Near Future written and...
Read MorePosted by Trevor Mukholi | 22nd Aug 2023 | Adaptation, Review, Uganda
When considering Okot p’Bitek’s perspective on African tradition, it becomes evident that change is inevitable. If African tradition is lived in the midst of the battle of life, then Lawino is not the character to focus on, as she refuses to acknowledge the possibility of change. Similarly, Ocol negates everything about himself to accommodate the other, but his transformation is ultimately revealed to be superficial. Opio and Clementine, however, require a more nuanced examination, as their experiences shed light on the agency of individuals in this exchange of aesthetics and epistemology.
Read MorePosted by Aleks Sierz | 21st Aug 2023 | Review, United Kingdom
Success always opens doors. Ever since the HBO drama Succession was lauded as a huge international...
Read MorePosted by Duška Radosavljević | 20th Aug 2023 | Edinburgh 2023, Review, Scotland
Lucy McCormick used to do music gigs and re-enactments, but she has now put her past and her...
Read MorePosted by Duška Radosavljević | 19th Aug 2023 | Denmark, Edinburgh 2023, Review, Scotland
There is a little red brochure going around the Edinburgh Fringe titled #Danish. It represents the...
Read MorePosted by Duška Radosavljević | 18th Aug 2023 | Belgium, Edinburgh 2023, Review, Scotland
It was exactly ten years ago that Big in Belgium – a season of work from Flanders – was first...
Read MorePosted by Borisav Matić | 18th Aug 2023 | Festivals, News, Ukraine
The first edition of Ukraine Fringe – under the slogan Festival for the Brave – will...
Read MorePosted by Duška Radosavljević | 17th Aug 2023 | Edinburgh 2023, Review, Scotland
You would not have been wrong to expect a feast in this show set at a giant dining table, fully...
Read MorePosted by Erika Hughes | 16th Aug 2023 | Adaptation, Review, Theatre and Gender, United Kingdom
Rock Follies was a groundbreaking television series about an all-female rock band that originally...
Read MorePosted by Duška Radosavljević | 16th Aug 2023 | Edinburgh 2023, Poland, Review, Scotland
Thanks to the early 20th century ethnographic research of Milman Parry and Albert Lord, the word...
Read MorePosted by Duška Radosavljević | 16th Aug 2023 | Edinburgh 2023, Review, Scotland, South Korea
There are multiple ways to admire this production of a Greek classic, directed by Singaporean Ong...
Read MoreIt is with great regret and sadness that we have learned of the untimely and sudden death of an...
Read MorePosted by Ivanka Apostolova Baskar | 14th Aug 2023 | Dramaturgy, Interview, Italy, Translation
Walter Prete is a playwright, author, actor, educator, dramaturg, and director. Born in 1991 in...
Read MorePosted by Michał Lachman | 10th Aug 2023 | Ireland, Review, United Kingdom
The recent production of Brian Friel’s Dancing at Lughnasa at London’s National Theatre offers its...
Read MorePosted by Emiliia Dementsova | 9th Aug 2023 | Azerbaijan, Dramaturgy, Interview
Ulviyya Heydarova: “I switch on my computer, open Word and put my heart and thoughts into...
Read MorePosted by Marilena Borriello | 6th Aug 2023 | Denmark, Review, Theatre and Art
In Ways of Seeing (1972), John Berger stated that “the way we see things is affected by what...
Read MorePosted by Kitty Brandon-James & Alma Prelec | 5th Aug 2023 | Festivals, Review, Russian Theatre Abroad, Theatre and Politics, United Kingdom
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
Read MorePosted by Huw Griffiths | 5th Aug 2023 | Australia, Review, Sydney, Theatre and Politics
Review: On The Beach, directed by Kip Williams. When Nevil Shute wrote his 1957 novel On the...
Read MorePosted by Aleks Sierz | 4th Aug 2023 | London, Review, Theatre and Politics, United Kingdom
Trauma is the source of identity politics. In the case of African-Americans, the experience of...
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