The Cambridge Chamber Ensemble’s “Cendrillon” Showcases Talent But Misses Its Mark
The Cambridge Chamber Ensemble debuted their reimagined production of Pauline Viardot-Garcia’s...
Read MorePosted by Kristin Tomecek | 11th May 2018 | Boston, Review, Theatre and Opera, United States of America
The Cambridge Chamber Ensemble debuted their reimagined production of Pauline Viardot-Garcia’s...
Read MorePosted by David Vernon | 11th May 2018 | Interview, LGBTQ+ Theatre, Theatre and Opera, United States of America
Clint Borzoni is the current Composer-in-Residence for Musica Marin, a non-profit organization...
Read MorePosted by Jessica Rizzo | 11th May 2018 | Philadelphia, Review, United States of America
Jessica Rizzo sees the 10-hour, marathon performance of EgoPo Theater’s Lydie Breeze trilogy...
Read MorePosted by Kee-Yoon Nahm | 11th May 2018 | Adaptation, Review, South Korea
In Han Tae-sook’s Electra (LG Arts Center, April 26–May 5, 2018), the mourning daughter doesn’t...
Read MorePosted by Katrina Holden-Buckley | 11th May 2018 | Boston, Review, Theatre and Opera, United States of America
Metrowest Opera had a full audience in the BCA’s smaller space on Saturday evening for their...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026