Day: May 11, 2018

The Cambridge Chamber Ensemble’s “Cendrillon” Showcases Talent But Misses Its Mark

Posted by Kristin Tomecek | 11th May 2018 | Boston, Review, Theatre and Opera, United States of America

The Cambridge Chamber Ensemble debuted their reimagined production of Pauline Viardot-Garcia’s...

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Composer-in-Residence Clint Borzoni

Posted by David Vernon | 11th May 2018 | Interview, LGBTQ+ Theatre, Theatre and Opera, United States of America

Clint Borzoni is the current Composer-in-Residence for Musica Marin, a non-profit organization...

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Angels (And Demons) Of History In EgoPo’s “Lydie Breeze” Trilogy

Posted by Jessica Rizzo | 11th May 2018 | Philadelphia, Review, United States of America

Jessica Rizzo sees the 10-hour, marathon performance of EgoPo Theater’s Lydie Breeze trilogy...

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Electra Takes Revenge into Her Own Hands

Posted by Kee-Yoon Nahm | 11th May 2018 | Adaptation, Review, South Korea

In Han Tae-sook’s Electra (LG Arts Center, April 26–May 5, 2018), the mourning daughter doesn’t...

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The Problem Of The Unmarried Woman In “Old, New, Borrowed, Blue”

Posted by Katrina Holden-Buckley | 11th May 2018 | Boston, Review, Theatre and Opera, United States of America

Metrowest Opera had a full audience in the BCA’s smaller space on Saturday evening for their...

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