Pathos Of The Oppressed
At the ongoing Theatre Olympics, Kishore Sengupta’s play Nuraldiner Sarajiban highlighted...
Read MorePosted by Diwan Singh Bajeli | 31st Mar 2018 | Festivals, India, Review
At the ongoing Theatre Olympics, Kishore Sengupta’s play Nuraldiner Sarajiban highlighted...
Read MorePosted by Poppy Burton-Morgan | 31st Mar 2018 | News, Theatre and Gender, United Kingdom
On International Women’s Day 2018 and in the year of Circus250, Poppy Burton-Morgan blogs for UK...
Read MorePosted by Rory Mullarkey | 31st Mar 2018 | Essay, London, Russian Theatre Abroad, Translation, United Kingdom
Rory Mullarkey introduces his new version of Chekhov’s masterpiece for Bristol Old Vic. “The...
Read MorePosted by Marcina Zaccaria | 31st Mar 2018 | New York, Review, Theatre and Dance, Theatre and Opera, United States of America
BAM’s Harvey Theater always feels like a mammoth work in progress. Walls to the larger opera house...
Read MorePosted by Vikram Phukan | 31st Mar 2018 | Festivals, India, Review
The Mumbai tour will be its final leg, with the closing ceremony slated for April 8 at Worli’s...
Read More
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026