Day: January 28, 2018

Sin Muros: Interview With “Purple Eyes” Playwright Josh Inocéncio

Posted by Trevor Boffone | 28th Jan 2018 | Festivals, Interview, Playwriting, United States of America

Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...

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“Ada/Ava”: Silent Film In The 21st Century

Posted by Jane Baldwin | 28th Jan 2018 | Boston, Puppetry, Review, Theatre and Film

ArtsEmerson is dedicated to bringing compelling and experimental theatre from all parts of the...

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“887”: A Shared Collective History About the Nature of Memory Itself

Posted by Laurie Fyffe | 28th Jan 2018 | Canada, Playwriting, Review

Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...

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“The Town Hall Affair” Brings Germaine Greer’s 1970s Feminist Debate Roaring Into The Present

Posted by Bryoni Trezise | 28th Jan 2018 | Australia, New York, Sydney, Theatre and Gender, United States of America

The moment was 1971, Labour Day’s eve. The context: a biting critique of feminism published by...

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OLT’s “An Inspector Calls”: Dark Comedy or Impactful Social Drama?

Posted by Natasha Lomonossoff | 28th Jan 2018 | Canada, Directing, Review

The Ottawa Little Theatre’s production of An Inspector Calls, the classic mid-20th-century drama...

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Border Force: The Scottish Arts Festival That’s Bringing Two Nations Together

Posted by Nick Harding | 28th Jan 2018 | Festivals, News, United Kingdom

“The Big Burns Supper aims to heal political rifts between the Scots and the English with 11...

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