Mayakovsky At Carriageworks: A Telegram From An Alien Future
“I’m a poet. That’s what makes me interesting.” So begins the autobiography of Vladimir...
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Month: July 2014
Ireland’s National Theatre is at a Crossroads
Luke Casserly responds to the recent report from Scottish consulting firm Bonnar Keenlyside...
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Belarus Free Theatre: An Interview With “Red Forest” Director Nicolai Khalezin
Nicolai Khalezin is the director of the Belarus Free Theatre’s newest production Red Forest. He...
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Hugo Weaving Reveals Macbeth’s Weakness–And His Unhappiness
Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...
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The Palestinian Performing Arts Network
The Palestinian Performing Arts Network Programme (PAN) is targeted at Palestinian children and...
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Translating “One Flew Over the Kosovo Theatre”
This post was written exclusively for TheTheatreTimes.com by political analyst Alexandra Channer,...
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“Medea” Is As Relevant Today As It Was In Ancient Greece
A new production of Medea recently opened at London’s National Theatre to critical acclaim. This...
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LMDA 2014 Showcases Digital Theater Networks
The Literary Managers and Dramaturgs of the Americas (LMDA) convened the last week of June 2014 at...
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“(A)pollonia: Twenty-First-Century Polish Drama And Texts For The Stage”
In her Preface to (A)pollonia: Twenty-First-Century Polish Drama And Texts For The Stage Joanna...
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Romeo, Juliet, Viola, And Will: “Shakespeare In Love” Mash-Up Hits The Stage
I don’t really go in for creative mash-ups. You know: Alien Vs. Predator, or the films where...
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