Dangerous Desires in “Marie It’s Time”
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
Read MorePosted by Morgan Skolnik | 21st Sep 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
Read MorePosted by Franciszek Bryk | 16th Oct 2020 | Festivals, Poland, Theatre and Dance
Mid-September brought us a week of new, Polish theatre productions, and a sneak peek behind the...
Read MorePosted by Michael Ewans | 9th Feb 2019 | Australia, Review, Sydney, Theatre and Opera
Alban Berg’s Wozzeck is arguably the most important opera composed in the first half of the 20th...
Read MorePosted by Holly Williams | 4th Jun 2018 | Adaptation, Interview, United Kingdom
So what attracted you to the multimillion-selling novel The Girl On The Train? That could be my...
Read MorePosted by Aleks Sierz | 27th May 2017 | Adaptation, London, Review, United Kingdom
Welcome back, John Boyega. Less than a decade ago, he was an unknown budding British stage actor,...
Read MorePosted by Izumi Ashizawa | 19th Apr 2017 | Directing, Immersive Theatre, United States of America
“From now on, you answer me ‘yes, sir, or no sir.’ Do you understand?” The actor in the attire of...
Read MorePosted by Alice Jones | 30th Jan 2017 | London, News, Review, United Kingdom
The Hypocrite Could this be the new One Man, Two Guvnors? Richard Bean is back, with a riotous new...
Read MorePosted by Ilana Walder-Biesanz | 26th Jan 2015 | Germany, Review, Theatre and Gender
I don’t actually like Woyzeck very much, so I am not sure why I bought tickets to two different...
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