Tag: Wojtek Blecharz

“Generation After 4”: Connecting Above Borders With The Most Radical Stages Of Polish New Theatre

Posted by Franciszek Bryk | 14th Sep 2020 | Directing, Festivals, News, Poland, Transmedia

Cursed problems often require unorthodox solutions, ones that transgress or delineate anew...

Read More

Sniff Like a Dog Sniffs the Wondrous: “Warsaw’s Daughters #100LAT” by Teraz Poliż

Posted by Agata Łuksza | 18th Sep 2019 | Poland, Review, Theatre and Gender, Theatre and Politics

“I sniff like a dog sniffs the wondrous,” says Lunatic in Anna Świrszczyńska’s...

Read More

How Does Poland Celebrate Its Independence Through Opera?

Posted by Marcin Bogucki | 25th Mar 2018 | Essay, Poland, Theatre and Opera

Poland in 2018 marks the centenary of the restoration of its sovereignty. The biggest national...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
GPS M S Biomechanics System Vs. Narcissism:… by Ivanka Apostolova Baskar 8th April 2026
Pinocchio. What Is a Person? at MITEM: Who Gets to… by Emiliia Dementsova 8th May 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026

Recent Posts

Theatre – Creating Conditions For What Has Been Silenced To Emerge 16th May 2026
“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre 16th May 2026
“The Cherry Orchard”: The Comedy Of Ruins 15th May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home 13th May 2026
“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre 13th May 2026
In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage 12th May 2026
Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human? 8th May 2026
At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On 5th May 2026
Guilt And Resilience, And “The Fear Of 13” 3rd May 2026
Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine 2nd May 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest