Tag: Václav Havel

On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski

Posted by Ivanka Apostolova Baskar | 17th Aug 2019 | Directing, Hungary, Interview, Macedonia, Transcultural Collaborations

Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...

Read More

Longread. Katie Mitchell On Chekhov, Stanislavsky, And Characters Of Flesh And Blood

Posted by Yulia Savikovskaya | 9th Jul 2018 | Directing, Interview, Russia, United Kingdom

Katie, or rather, Katrina Jane Mitchell, is a leading British theatre director whose creative...

Read More

“The Vanek Trilogy”–Revisiting The Czech Living Room Theatre Tradition–An Interview With Renata Clark

Posted by Borimir Totev | 5th Oct 2017 | Czech Republic, News, Theatre and Politics

With two more dates left (October 7th and November 25th) the Vanek Trilogy: Living Room Soirees–an...

Read More

Theatre Review: “Poker Face” By Petr Kolečko–”Feels Like It’s Happening Right Here Right Now”

Posted by Paula Erizanu | 20th Oct 2016 | Czech Republic, Review, Theatre and Politics, Translation

The play Poker Face by acclaimed Czech playwright Petr Kolečko–in Eva Daníčková’s translation and...

Read More

Magda Romanska on Dramaturgy and Opera

Posted by Magda Romanska | 28th Jan 2014 | Dramaturgy, Interview, Theatre and Opera, United States of America

BLO: What is a dramaturg? MR: In its broadest and earliest definition, dramaturgy means a...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
NYC’s Under The Radar Festival Uses Lessons From The… by Victoria Zavyalova 9th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
The Trans Excellence of Faggotica by Morgan Skolnik 13th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025

Recent Posts

Dea Loher’s New Play “Frau Yamamoto Ist Noch Da” In Bremen And Osnabrück 5th March 2026
Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026
Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival 19th February 2026
“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest