Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
Read MorePosted by Aleks Sierz | 22nd Jan 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
Read MorePosted by Aleks Sierz | 21st Apr 2023 | London, Playwriting, Review, Theatre and Gender, United Kingdom
The popularity of plays that feature trauma is certainly a trend in British theatre today. But is...
Read MorePosted by Hana Worthen | 5th Jul 2019 | Festivals, Review, United States of America
The First National Veterans Theatre Festival, a partnership between the Feast of Crispian (FoC)...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026 