Between Life And Death: A Festival’s Journey Through Tragedy [Part II]
To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...
Read MorePosted by Savas Patsalidis | 1st Aug 2025 | Bulgaria, Festivals, Transcultural Collaborations
To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...
Read MorePosted by Savas Patsalidis | 1st Aug 2025 | Bulgaria, Festivals, Transcultural Collaborations
We each owe a Death Johannes von Tepl, Death and the Ploughman [ Der Ackermann und der Tod, 1401 ]...
Read MorePosted by Kirk Dodd | 5th Nov 2023 | Australia, Review, Theatre and Gender
Shakespeare wrote his famous narrative poem Venus and Adonis in a lockdown era when, in 1593, the...
Read MorePosted by Ian Kiyingi Muddu | 21st May 2020 | Africa, Covid-19, Essay, Theatre and Politics
On the center stage, where many an actor has strutted his stuff, sits a ghost light. Lonesome....
Read MorePosted by Natasha Lomonossoff | 2nd Feb 2020 | Adaptation, Canada, Review
Peggy’s Song, the final production of Theatre Kingston’s 2019-20 season, provides a light-hearted...
Read MorePosted by Mert Dilek | 15th Dec 2019 | London, Review, Theatre and Gender, United Kingdom
This Duchess of Malfi is a cool one. It is so cool that it has lost its gripping temper and, with...
Read MorePosted by Iga Szczodrowska | 11th Aug 2019 | Festivals, London, Poland, Polish Theatre Abroad, Review
The Shakespeare and Poland Festival at the Globe – a two-week exploration of the relationship...
Read MorePosted by Aleks Sierz | 7th Apr 2019 | London, Review, United Kingdom
There are plenty of plays in which a character finds their own voice. But what about stories which...
Read MorePosted by Zolima Citymag | 27th Mar 2019 | Adaptation, Hong Kong, News, Theatre and Opera
Why We Recommend it The opera Madame White Snake tells the story of a demon’s incessant pursuit of...
Read MorePosted by Laura Bisaillon | 8th Nov 2018 | Australia, Essay, Iran, Transcultural Collaborations
In the summer of 2015, I conducted fieldwork in Tehran and Qom, Iran, with a small team of...
Read MorePosted by Megan De Roover | 14th Jul 2017 | Canada, North America, Translation
“Beginnings have their own energy, ethics, tonality, colour.” –excerpt from Anne Carson’s...
Read MorePosted by Zoe Ryu | 2nd May 2017 | Adaptation, Interview, South Korea, Theatre and Opera
Tae-sook Han’s 2016 production of Lady Macbeth, a Changgeuk (Korean traditional opera),...
Read MorePosted by Agata Diduszko-Zyglewska | 30th Aug 2010 | Interview, Poland, Theatre and Opera
I didn’t really know Xenakis before, but it turned out that he touches the precise parts of my...
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