“Invisible Lands,” Bodies, Gods, and… People
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
Read MorePosted by Teodora Medeleanu | 7th Jul 2024 | Review, Romania, TESZT 2024, Transmedia
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
Read MorePosted by Teodora Medeleanu | 1st Jul 2024 | Review, Romania, TESZT 2024, Transmedia
Depicting an odyssey on stage is rather a challenge, especially when the main means of transport...
Read MorePosted by Teodora Medeleanu | 1st Jul 2024 | Review, Romania, TESZT 2024, Transmedia
TESZT 2024 brings, from Zagreb Youth Theatre, Borut Šeparović’s production Youth Without God, on a...
Read MorePosted by Teodora Medeleanu | 29th Jun 2024 | Review, Romania, TESZT 2024, Transmedia
A bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company – Szkéné...
Read MorePosted by Jozefina Komporaly and Katalin Demeter | 20th Jun 2024 | News, Romania, TESZT 2024
Within the rich landscape of Romanian theatre festivals, TESZT has carved out a niche as an...
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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



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