“Superhoe” at The Royal Court: Nicôle Lecky’s One-Woman Debut
Titles matter: they send out messages. So, in the current #MeToo climate, isn’t it a bit...
Read MorePosted by Aleks Sierz | 7th Mar 2019 | London, Review, Theatre and Gender, United Kingdom
Titles matter: they send out messages. So, in the current #MeToo climate, isn’t it a bit...
Read MorePosted by Aleks Sierz | 21st Jan 2019 | London, Review, United Kingdom
Mainstream theatre is often a huge treasure chest, blazing with jewels and flashing lights, while...
Read MorePosted by Aleks Sierz | 18th May 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Neil McPherson, the long-serving head of this London fringe theatre, has a brilliant record of...
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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



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