“Lie Low,” Royal Court
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Aleks Sierz | 2nd Jun 2024 | London, Review, Theatre and Politics
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Aleks Sierz | 5th Nov 2023 | London, Review, United Kingdom
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance...
Read MorePosted by Aleks Sierz | 27th Sep 2019 | London, Review, United Kingdom
In British plays of the postwar period, before the liberated 1960s, there is always an unresolved...
Read MorePosted by Aleks Sierz | 9th Apr 2019 | London, Review, United Kingdom
Contemporary British theatre loves time travel — and not just to the past. It also enjoys...
Read MorePosted by Aleks Sierz | 9th Mar 2019 | France, London, Review, United Kingdom
Well, you have to hand it to French playwright Florian Zeller — he’s certainly cracked the problem...
Read MorePosted by Aleks Sierz | 8th Mar 2019 | London, Review, United Kingdom
There is no doubt that Peter Shaffer’s Equus is a modern classic. But does that justify reviving...
Read MorePosted by Aleks Sierz | 7th Mar 2018 | London, Review, United Kingdom
Whatever the weather, this week is Frozen. On Broadway, the Disney musical of that name begins...
Read More
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026 
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 


From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026