Review of Porte Parole’s “The Assembly – Montreal”
No longer is there a “safe place” on the Canadian political spectrum; to be moderate is to be a...
Read MorePosted by Aisling Murphy | 30th Mar 2020 | Canada, Review, Theatre and Politics
No longer is there a “safe place” on the Canadian political spectrum; to be moderate is to be a...
Read MorePosted by Ryan Pepper | 27th May 2019 | Canada, Review
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
Read MorePosted by Ryan Pepper | 7th May 2019 | Canada, Musical Theatre, Review
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
Read MorePosted by Ryan Pepper | 8th Nov 2018 | Canada, Review
Silence brings to the spotlight the romantic life of the husband and wife behind the invention of...
Read MorePosted by Patrick Langston | 29th Oct 2018 | Canada, News, Theatre and Disability
When Silence: Mabel And Alexander Graham Bell opens at the NAC, it will mark a significant...
Read MorePosted by Ginny Ratsoy | 8th Oct 2018 | Canada, Essay, Management
The Canadian government’s Department of Canadian Heritage has the opportunity to support a...
Read MorePosted by Iris Winston | 26th Sep 2018 | Canada, Musical Theatre, Review
The great pity is that this high-energy rock musical is largely unintelligible. From flashing...
Read MorePosted by Capital Critics' Circle | 31st May 2018 | Adaptation, Canada, Review
For Ottawa-area audiences, part of the charm of the theatrical adaptation of Up To Low, by Ottawa...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



