Review of Porte Parole’s “The Assembly – Montreal”
No longer is there a “safe place” on the Canadian political spectrum; to be moderate is to be a...
Read MorePosted by Aisling Murphy | 30th Mar 2020 | Canada, Review, Theatre and Politics
No longer is there a “safe place” on the Canadian political spectrum; to be moderate is to be a...
Read MorePosted by Ryan Pepper | 27th May 2019 | Canada, Review
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
Read MorePosted by Ryan Pepper | 7th May 2019 | Canada, Musical Theatre, Review
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
Read MorePosted by Ryan Pepper | 8th Nov 2018 | Canada, Review
Silence brings to the spotlight the romantic life of the husband and wife behind the invention of...
Read MorePosted by Patrick Langston | 29th Oct 2018 | Canada, News, Theatre and Disability
When Silence: Mabel And Alexander Graham Bell opens at the NAC, it will mark a significant...
Read MorePosted by Ginny Ratsoy | 8th Oct 2018 | Canada, Essay, Management
The Canadian government’s Department of Canadian Heritage has the opportunity to support a...
Read MorePosted by Iris Winston | 26th Sep 2018 | Canada, Musical Theatre, Review
The great pity is that this high-energy rock musical is largely unintelligible. From flashing...
Read MorePosted by Capital Critics' Circle | 31st May 2018 | Adaptation, Canada, Review
For Ottawa-area audiences, part of the charm of the theatrical adaptation of Up To Low, by Ottawa...
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
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Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

