Maestras On The Podium: Women Conductors On Broadway, Then And Now
When I was four years old, I asked my parents for piano lessons. We always had a piano in the...
Read MorePosted by Sariva Goetz | 11th Oct 2025 | Essay, Musical Theatre, Theatre and Gender, United States of America
When I was four years old, I asked my parents for piano lessons. We always had a piano in the...
Read MorePosted by Morgan Skolnik | 17th Jan 2025 | Interview, Musical Theatre, New York
Lyricist/Librettist Kate Rankine has a list saved on her phone of “golden moments”, or “little...
Read MorePosted by Morgan Skolnik | 27th Nov 2024 | Musical Theatre, New York, Review, United States of America
Though many people rushed to them post election, the musical of our political moment is not...
Read MorePosted by Gill Foster | 19th Jul 2024 | Musical Theatre, Review, United Kingdom
In the preface to The Picture of Dorian Gray (1890), Oscar Wilde wrote: “There is no such thing as...
Read MorePosted by Molly Grogan Zolima CityMag | 19th Jul 2024 | Hong Kong, Interview, Musical Theatre
Is Jordan Cheng for real? The 37-year-old actor, singer, and composer is everywhere these days....
Read MorePosted by Jonathan Kalb | 29th Apr 2024 | Review, Theatre and Politics, United States of America
Well, it’s happened again. The torrid pace of new openings this spring has outstripped my ability...
Read MorePosted by Morgan Skolnik | 31st Mar 2024 | New York, Review, Theatre and Gender, United States of America
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
Read MorePosted by Emily Cordes | 4th Jan 2024 | Interview, Musical Theatre, New York, Theatre and Politics, United States of America
Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...
Read MorePosted by Morgan Skolnik | 1st Sep 2023 | Musical Theatre, New York, Review
“We’re not here to make fairytales, we’re here to follow them,” quips the narrator (Adam Godley)...
Read MorePosted by Wu Changchang | 1st Jul 2023 | China, Essay, Musical Theatre
The pandemic was unusually kind to China’s musical theater scene, but an obsession with...
Read MorePosted by Morgan Skolnik | 17th Nov 2022 | LGBTQ+ Theatre, Musical Theatre, New York, Review, United States of America
F*ck7thGrade is messy, it’s awkward, it’s unrelentingly earnest, and it’s utterly delightful....
Read MorePosted by Richard Vetere | 5th May 2017 | LGBTQ+ Theatre, New York, United States of America
Indecent is the new play by Pulitzer Prize-winning playwright Paula Vogel, belated making her...
Read MorePosted by Marina Shimadina | 10th Jul 2015 | Directing, Review, Russia
The world premiere of a groundbreaking new production by Robert Wilson took place at Moscow’s...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 


