Maestras On The Podium: Women Conductors On Broadway, Then And Now
When I was four years old, I asked my parents for piano lessons. We always had a piano in the...
Read MorePosted by Sariva Goetz | 11th Oct 2025 | Essay, Musical Theatre, Theatre and Gender, United States of America
When I was four years old, I asked my parents for piano lessons. We always had a piano in the...
Read MorePosted by Morgan Skolnik | 17th Jan 2025 | Interview, Musical Theatre, New York
Lyricist/Librettist Kate Rankine has a list saved on her phone of “golden moments”, or “little...
Read MorePosted by Morgan Skolnik | 27th Nov 2024 | Musical Theatre, New York, Review, United States of America
Though many people rushed to them post election, the musical of our political moment is not...
Read MorePosted by Gill Foster | 19th Jul 2024 | Musical Theatre, Review, United Kingdom
In the preface to The Picture of Dorian Gray (1890), Oscar Wilde wrote: “There is no such thing as...
Read MorePosted by Molly Grogan Zolima CityMag | 19th Jul 2024 | Hong Kong, Interview, Musical Theatre
Is Jordan Cheng for real? The 37-year-old actor, singer, and composer is everywhere these days....
Read MorePosted by Jonathan Kalb | 29th Apr 2024 | Review, Theatre and Politics, United States of America
Well, it’s happened again. The torrid pace of new openings this spring has outstripped my ability...
Read MorePosted by Morgan Skolnik | 31st Mar 2024 | New York, Review, Theatre and Gender, United States of America
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
Read MorePosted by Emily Cordes | 4th Jan 2024 | Interview, Musical Theatre, New York, Theatre and Politics, United States of America
Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...
Read MorePosted by Morgan Skolnik | 1st Sep 2023 | Musical Theatre, New York, Review
“We’re not here to make fairytales, we’re here to follow them,” quips the narrator (Adam Godley)...
Read MorePosted by Wu Changchang | 1st Jul 2023 | China, Essay, Musical Theatre
The pandemic was unusually kind to China’s musical theater scene, but an obsession with...
Read MorePosted by Morgan Skolnik | 17th Nov 2022 | LGBTQ+ Theatre, Musical Theatre, New York, Review, United States of America
F*ck7thGrade is messy, it’s awkward, it’s unrelentingly earnest, and it’s utterly delightful....
Read MorePosted by Richard Vetere | 5th May 2017 | LGBTQ+ Theatre, New York, United States of America
Indecent is the new play by Pulitzer Prize-winning playwright Paula Vogel, belated making her...
Read MorePosted by Marina Shimadina | 10th Jul 2015 | Directing, Review, Russia
The world premiere of a groundbreaking new production by Robert Wilson took place at Moscow’s...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 