Martin Crimp’s “When We Have Sufficiently Tortured Each Other” At The National Theatre
The most hyped play of the year is here. Because of the huge demand for seats, and the relative...
Read MorePosted by Aleks Sierz | 30th Jan 2019 | London, Review, Theatre and Gender, United Kingdom
The most hyped play of the year is here. Because of the huge demand for seats, and the relative...
Read MorePosted by Lauren Deutsch | 19th Nov 2018 | Festivals, Los Angeles, Review, Theatre and Opera, United States of America
John Cage’s Europera 1 and Europera 2, (aka Europeras 1 & 2) was presented by The...
Read MorePosted by Amanda Fromell | 4th Nov 2018 | Dramaturgy, Essay, Participatory Theatre, Sweden, Transmedia
In 2011, a woman stood outside an abortion clinic in Manhattan and asked...
Read MorePosted by Willow White | 12th Sep 2017 | Canada, Theatre and Gender
Montreal, Québec Willow White attends a workshop performance of The Gentle Art of Punishment and...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026