Barbarians in Midtown
The Terrence McNally/Stephen Flaherty/Lynn Ahrens musical Ragtime is not the subtlest theater...
Read MorePosted by Jonathan Kalb | 22nd Oct 2025 | Musical Theatre, Review, United States of America
The Terrence McNally/Stephen Flaherty/Lynn Ahrens musical Ragtime is not the subtlest theater...
Read MorePosted by Michael Appler | 20th Nov 2018 | New York, Review, United States of America
Stoppard has sought to lower the stage into the depths of the human mind, endeavoring to see the theater as a proxy for human consciousness, an outlet whose own bizarre corruptions of life are but well-directed reflections of our own conscious turmoil.
Read MorePosted by Michael Appler | 8th Nov 2018 | LGBTQ+ Theatre, New York, Review, United States of America
Queer spaces, Miranda Rose Hall suggests, are uniquely suited to plot the points of sexual development, to explore the dynamic, malleable nature of identity. Queer sex not as negotiation or imitation, but as creation and innovation.
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 




“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026