Oriza Hirata’s “In the Heart of a Forest”: Mastering Multilingual Performance
Tokyo’s cozy 60-odd-seat Komaba Agora Theater isn’t perhaps where you would expect a cutting-edge...
Read MorePosted by Nobuko Tanaka | 21st Jul 2019 | Japan, Playwriting, Review
Tokyo’s cozy 60-odd-seat Komaba Agora Theater isn’t perhaps where you would expect a cutting-edge...
Read MorePosted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea
Award-winning South Korean playwright and educator Ko Yeon-ok reflects on her teaching practice in...
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