2024 Dublin Theatre Festival – Subjective Report [Part II]
To read PART I of this report, go to this link. The line of Irish productions at 2024...
Read MorePosted by Michał Lachman | 4th Mar 2025 | Acting, Festivals, Ireland
To read PART I of this report, go to this link. The line of Irish productions at 2024...
Read MorePosted by Aleks Sierz | 2nd Jun 2024 | London, Review, Theatre and Politics
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Kasia Lech | 7th Sep 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
Read MorePosted by Armando Rotondi | 14th Nov 2020 | Adaptation, Ireland, Review
In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...
Read MorePosted by Christine Deitner | 30th Jan 2019 | Los Angeles, Review, Theatre and Art, United States of America
Situated on their two-year-old permanent home on Broadway in Glendale, CA, Antaeus Theatre Company...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026