5 Reasons Why Verse Is the Language for Theatre in 2020s
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
Read MorePosted by Kasia Lech | 12th Mar 2021 | Dramaturgy, Ireland, Nigeria, Playwriting, Poland, Spain, Transmedia, United Kingdom
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
Read MorePosted by Aleks Sierz | 11th Oct 2020 | London, Review, Theatre and Politics, United Kingdom
When the history of British theatre’s response to COVID-19 comes to be written, the names of two...
Read MorePosted by Aleks Sierz | 8th May 2019 | London, Review, Theatre and Gender, United Kingdom
If British theatre often seems to lack ambition, the same cannot be said of The Half God Of...
Read MorePosted by Jane Baldwin | 26th Dec 2018 | Nigeria, Review, Theatre and Gender, United Kingdom
Inua Ellams’ Barber Shop Chronicles, his first full-length play, was a smash-hit when it opened in...
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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



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