Nearly Finished
With a depressingly vacuous, celebrity-circus Waiting for Godot sucking up so much oxygen on...
Read MorePosted by Jonathan Kalb | 15th Nov 2025 | Acting, Review, United States of America
With a depressingly vacuous, celebrity-circus Waiting for Godot sucking up so much oxygen on...
Read MorePosted by S.E. Gontarski | 13th Feb 2023 | Adaptation, Directing, New York, Review, United States of America
Much of my approach to theatre, to performance, especially, consists in locating and assessing a...
Read MorePosted by Mark Byron | 20th Jun 2021 | Adaptation, Essay, Ireland, Playwriting
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read MorePosted by Aleks Sierz | 17th Feb 2020 | London, Review, United Kingdom
No playwright has had greater influence on successive generations of theatre-makers than Samuel...
Read MorePosted by Tomasz Wiśniewski | 7th Oct 2017 | Adaptation, Dramaturgy, United Kingdom
Among numerous interests of dramaturgy, intense performativity of literature, on the one hand, and...
Read MorePosted by The Theatre Times | 2nd Oct 2016 | Directing, News, Theatre and Opera, United States of America
The Byrd Hoffman Water Mill Foundation, and its European partner, the Robert Wilson Stiftung, will...
Read MorePosted by Alicja Rosé | 18th Jun 2010 | Directing, Essay, Poland
Beckett would have been unhappy. Hamm’s feet sticking out from under the blanket, and in white...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 


