Nearly Finished
With a depressingly vacuous, celebrity-circus Waiting for Godot sucking up so much oxygen on...
Read MorePosted by Jonathan Kalb | 15th Nov 2025 | Acting, Review, United States of America
With a depressingly vacuous, celebrity-circus Waiting for Godot sucking up so much oxygen on...
Read MorePosted by S.E. Gontarski | 13th Feb 2023 | Adaptation, Directing, New York, Review, United States of America
Much of my approach to theatre, to performance, especially, consists in locating and assessing a...
Read MorePosted by Mark Byron | 20th Jun 2021 | Adaptation, Essay, Ireland, Playwriting
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read MorePosted by Aleks Sierz | 17th Feb 2020 | London, Review, United Kingdom
No playwright has had greater influence on successive generations of theatre-makers than Samuel...
Read MorePosted by Tomasz Wiśniewski | 7th Oct 2017 | Adaptation, Dramaturgy, United Kingdom
Among numerous interests of dramaturgy, intense performativity of literature, on the one hand, and...
Read MorePosted by The Theatre Times | 2nd Oct 2016 | Directing, News, Theatre and Opera, United States of America
The Byrd Hoffman Water Mill Foundation, and its European partner, the Robert Wilson Stiftung, will...
Read MorePosted by Alicja Rosé | 18th Jun 2010 | Directing, Essay, Poland
Beckett would have been unhappy. Hamm’s feet sticking out from under the blanket, and in white...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026