Richard Gadd’s “Baby Reindeer” at The Bush Theatre: An Obsessive Story About Obsession
True stories, even in a fictional form, have the power to grip you by the throat, furiously shake...
Read MorePosted by Aleks Sierz | 27th Oct 2019 | Documentary Theatre, London, Review, United Kingdom
True stories, even in a fictional form, have the power to grip you by the throat, furiously shake...
Read MorePosted by Aleks Sierz | 20th Jan 2019 | Essay, Playwriting, United Kingdom
There is a simple dinner-party game that can be played at no ostensible cost. The host asks, “Who...
Read MorePosted by Aleks Sierz | 27th Nov 2018 | London, Review, United Kingdom
Because of the #MeToo movement, and the revival of feminist protest, the theme of sisterhood now...
Read MorePosted by Aleks Sierz | 16th Oct 2018 | London, Review, United Kingdom
Ah. Fear of flying. Yes, this is instantly recognizable: that sense that being propelled through...
Read MorePosted by Aleks Sierz | 25th Sep 2018 | London, Review, United Kingdom
A couple of nights ago, I went, for the first time, to the Queen’s Theatre in Hornchurch, which is...
Read MorePosted by Aleks Sierz | 1st Jul 2018 | London, Review, Theatre and Politics, United Kingdom
It’s the stuff of nightmares. There’s a massive explosion, the sound of smashing glass, falling...
Read MorePosted by Aleks Sierz | 9th Apr 2018 | London, Review, Theatre and Gender, United Kingdom
Love may well be the strongest four-letter word, but what is the latest news from the front line...
Read MorePosted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
Read MorePosted by Aleks Sierz | 27th Nov 2017 | Acting, London, Playwriting, Review, United Kingdom
One defining characteristic of Englishness is social awkwardness, and its emotional register is an...
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