Denying A Harsh Reality in “The History of Violence”
It opens with a manic attempt to clean. The sheets, the floors, the smell of the air, everything...
Read MorePosted by John Brunner | 26th Nov 2019 | France, Germany, Review, Translation
It opens with a manic attempt to clean. The sheets, the floors, the smell of the air, everything...
Read MorePosted by Antigoni Gaitana | 23rd Nov 2019 | Greece, New York, Review, Theatre and Opera, United States of America
Since Dimitris Papaioannou is a relatively unknown creator to the American audience, I feel...
Read MorePosted by Jonathan Kalb | 17th Oct 2017 | Acting, Germany, Review
Richard Crookback is Shakespeare’s dazzling carnival monster, a showoff criminal who charms us...
Read MorePosted by Lauren Dubowski | 17th Sep 2016 | Directing, News, Poland, Polish Theatre Abroad, Review
The Brooklyn Academy of Music’s theatre season features two works by renowned Polish theatre...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

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Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026