“The Forest,” Hampstead Theatre
Let’s start with stereotypes: British theater is naturalistic, down-to-earth and explains...
Read MorePosted by Aleks Sierz | 18th Mar 2022 | Acting, Directing, London, Review, United Kingdom
Let’s start with stereotypes: British theater is naturalistic, down-to-earth and explains...
Read MorePosted by Aleks Sierz | 25th Apr 2019 | London, Review, United Kingdom
Maggie Smith is not only a national treasure but every casting director’s go-to “old bat” (her...
Read MorePosted by Caroline Wake | 11th Feb 2019 | Australia, Festivals, Review, Sydney, Theatre and Disability
Review: Beware Of Pity, Sydney Festival 2019 Performances in the Roslyn Packer Theatre typically...
Read MorePosted by Aleks Sierz | 27th Oct 2018 | London, Review, United Kingdom
It’s all in the title, isn’t it? Martin McDonagh’s surreal new play comes with a warning that not...
Read MorePosted by Aleks Sierz | 18th Aug 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Nostalgia used to be a disease, but now it’s a lifestyle choice. Look around you: British reality...
Read MorePosted by Aleks Sierz | 17th May 2018 | Acting, London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Is there such a thing as female writing? In the 1980s, a group of women writers emerged who...
Read MorePosted by Aleks Sierz | 22nd Apr 2018 | London, Review, United Kingdom
Let us have a quick moan about repertoire. You know, the types of plays that most of our theatres...
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“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
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