Under The Radar Fest: Testo
Wet Mess is a captivating performer with a playfully defined aesthetic. Their checkerboard face...
Read MorePosted by Morgan Skolnik | 23rd Jan 2026 | New York, Review, Theatre and Gender, United States of America
Wet Mess is a captivating performer with a playfully defined aesthetic. Their checkerboard face...
Read MorePosted by Marcina Zaccaria | 11th Dec 2025 | Festivals, LGBTQ+ Theatre, New York
“It’s completely organic. We take the best work from the United States, New York City, and around the world. We’ve worked with artists from 117 countries, 30 tribal nations. Every year in our Festival, you’re going to see, we have somewhere between 20 and 25 countries represented by maybe 30 states.”
Read MorePosted by Morgan Skolnik | 17th Nov 2025 | New York, Puppetry, Review
Dimension Zero, the new sci-fi puppet musical from the Boxcutter Collective, arrives at HERE arts...
Read MorePosted by Victoria Zavyalova | 19th Sep 2025 | Adaptation, New York, Review, United States of America
With minimal décor and symbolism in every gesture, The Mutt — an adaptation of Dostoevsky’s The...
Read MorePosted by Cristina Modreanu | 30th Aug 2025 | New York, Review, Theatre and Politics, United States of America
In a world where the rule is to make huge efforts to attain an “effortless, relaxed” look, the new...
Read MorePosted by Andrew Agress | 13th Aug 2025 | Musical Theatre, New York, United States of America
As a child of the 90s, I engaged in a popular post-school ritual growing up: plopping down in...
Read MorePosted by Alexander Fatouros | 6th Jul 2025 | Directing, Interview, Los Angeles, New York, News, Theatre and Film, United States of America
Step into the opulent 1880s New York evoked by The Gilded Age, Julian Fellowes’ Emmy-winning HBO...
Read MorePosted by Morgan Skolnik | 20th Apr 2025 | LGBTQ+ Theatre, New York, Review
Space Lesbians! Portals! Psychic Sisters! Oh my! These are just some of the elements introduced in...
Read MorePosted by Jonathan Kalb | 12th Apr 2025 | Adaptation, New York, Review
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
Read MorePosted by Morgan Skolnik | 2nd Apr 2025 | New York, Review, Theatre and Religion
The room is thick with steam (ok, it’s smoke machine smoke), an accordion and clarinet cycle...
Read MorePosted by Jonathan Kalb | 2nd Apr 2025 | New York, Review, Theatre and Art
Alice Childress has been having a moment the past few years. This extraordinary Black playwright,...
Read MorePosted by Morgan Skolnik | 27th Mar 2025 | New York, Review, Theatre and Gender
Much like the women it centers on, Roundabout Theatre Company’s Liberation is rebellious and not...
Read MorePosted by Alexander Fatouros | 21st Feb 2025 | New York, Transmedia, United States of America
A leading figure in contemporary art, Candida Alvarez is an American painter and studio artist...
Read MorePosted by Morgan Skolnik | 13th Feb 2025 | Musical Theatre, New York, Review
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
Read MorePosted by Morgan Skolnik | 13th Feb 2025 | New York, Review, Theatre and Politics
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
Read MorePosted by Morgan Skolnik | 22nd Jan 2025 | New York, Review, Theatre and Disability
The Dan Daw Show’s long list of potentially triggering content includes depictions of kink...
Read MorePosted by Morgan Skolnik | 17th Jan 2025 | Interview, Musical Theatre, New York
Lyricist/Librettist Kate Rankine has a list saved on her phone of “golden moments”, or “little...
Read MorePosted by Andrew Agress | 15th Jan 2025 | Festivals, Interview, New York, United States of America
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
Read MorePosted by Marcina Zaccaria | 7th Jan 2025 | Interview, New York, Playwriting
Finding artists, nurturing them, supporting them. Seeing their work to fruition, and creating a community of support. We really try to do this at the Apollo New Works, too. It’s really how we continue to keep people and community.
Read MorePosted by Heather Waters | 10th Dec 2024 | Musical Theatre, New York, Review, Theatre and Politics
We Live in Cairo, written by The Lazours, is a historical musical set in Egypt during the Arab...
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Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 



Alan Ayckbourn’s Woman in Mind at the Duke of York’s… by Aleks Sierz 8th January 2026
Leading with Risk, Trust, and Intuition: An… by Susanna Sun 7th January 2026 
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