Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
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Germany
“The Bald Soprano,” French Absurd Theater Becomes a German Contemporary Opera Buffa
There are some myths about the opera that are not true. Firstly, that young people do not like...
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Marius von Mayenburg’s Nachtland at the Young Vic: Satire on Art and Anti-Semitism Is Both Absurdist and Unsettling
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
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More Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
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Multilingual Theatre For/With Young Audiences: On the Jeune Théâtre Européen Jeunes Publics Project
The growing levels of migration result in an increasing number of children across Europe growing...
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Interview with Brilliant Les Dramaturx (Germany): Playfully, In the Sense of Autonomous Art, or Politically, In the Sense of Artivism.
Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...
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“Fear Eats The Soul”: Love In The Grip of Hate
These two people are separated by history, geography, language, maths, and other school subjects...
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“Geometry of the Soul”, “Frozen Songs” and “Clowns’ Houses” at Novi Sad Theatre Festival
The second Novi Sad Theater Festival again provided an exciting seven-day festival repertoire for...
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Coming Soon: The 1st International Symposium on Contemporary Asian Theatre, University of Göttingen (Hybrid)
The University of Göttingen would like to invite you to The 1st International Symposium on...
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Refugees in Berlin (Excerpts From a Sort of Berlin Diary)
Dmitry Troyanovsky is a theatre and opera director living in Boston, MA. Born in Kyiv, Ukraine...
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Acting Coach Bettina Lohmeyer In Conversation With Florentina Bratfanof: ”I Was Surprised To See Romanian Actors Were So Open”
Florentina Bratfanof, Casting Director, has been observed for five years in a row Susan Batson’s...
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Free Performance: A Response to metaLAB’s futureStage Manifesto
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
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“Uncanny Valley” at The Battersea Arts Centre
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
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“Alles Unter Kontrolle”
Maxim Gorki Theatre, Berlin, premiered on 21st June 2021, streamed on 28th January 2022 Oliver...
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Artist Entrance: Florentina Holzinger
Every month, Etcetera gazes into the soul of a performing artist. We choose artistic interest over...
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“Tanz mit dem Tiger”: A Boundary-breaking Digital Hybrid Dance
Tanz mit dem Tiger (in English: Dance with the Tiger) is a forty-minute hybrid dance performance...
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Interview with Ayham Majid Agha: On Shifting From Interactive Theater at Home into Creating a New Performing Form in Exile
Ayham Majid Agha is a Syrian actor, dramaturge, and director. After studying theater arts at...
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What Will You Do This Summer? On An Interdisciplinary Summer Camp In Warsaw
Krzysztof Warlikowski’s Nowy Theatre in Warsaw together with Komuna/Warszawa, La Comedie de...
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Audience Development – Empowering Youth Through Theatre: Theatre Not Only For, But With the Youth
Youth Theatre – Audience Development A Conversation with the Youth Council of the Deutsches...
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Experimental Forms and Performative Research: When the Classroom Learns to Fly
In his 1993 work A Flying Classroom, the German author Erich Kästner created a vision of a...
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