Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
Read MorePosted by Kuan-Ting Lin | 19th Nov 2025 | Interview, Playwriting, Taiwan, Theatre and Decolonization
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
Read MorePosted by Yi-Ming Chen | 28th Jun 2025 | News, Taiwan, Theatre and Politics
In New York City, the window between May and June signals the arrival of Tony Awards season....
Read MorePosted by Kuan-Ting Lin | 24th Jun 2025 | Interview, Playwriting, Taiwan
The World Sinophone Drama Competition for Young Playwrights is the largest playwriting contest in...
Read MorePosted by Kuan-Ting Lin | 23rd Jun 2025 | Interview, Playwriting, Taiwan
Yu-Chia Wei is a Taiwanese playwright whose work has earned numerous accolades. Her two plays, A...
Read MorePosted by Kuan-Ting Lin | 14th Feb 2025 | Essay, News, Playwriting, Taiwan
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
Read MorePosted by Ilinca Todoruţ | 19th Dec 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan
As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...
Read MorePosted by Kuan-Ting Lin | 25th Nov 2024 | Festivals, News, Taiwan
Staged readings are a liminal period for new plays in development. For rough ideas, they can be a...
Read MorePosted by Kuan-Ting Lin | 11th Jul 2024 | Dramaturgy, News, Playwriting, Taiwan
New writing stretches the boundaries of theatre arts. Though writing may seem a solitary...
Read MorePosted by The Prologue Center for New Plays | 11th Jul 2024 | News, Playwriting, Taiwan
To read PART I of this essay, go to this link. Prologue Center for New Plays Having worked...
Read MorePosted by Kuan-Ting Lin | 12th May 2023 | Directing, Review, Taiwan, Theatre and Politics, Transcultural Collaborations
Originally a collection of West Asian folktales, The Arabian Nights may be the series of...
Read MorePosted by Todd Sullivan | 6th Jan 2023 | Nigeria, Producing, Taiwan, Theatre and Decolonization, Transcultural Collaborations
It began as a direct message conversation between two black creatives: Ghanniy Oyedele from...
Read MorePosted by Siraya PAI | 25th Mar 2022 | Denmark, Interview, Taiwan, Transcultural Collaborations, Transmedia
“We began with looking for the differences between us, but at some point we came to realize that...
Read MorePosted by Freda Fiala | 28th Feb 2021 | China, Essay, Japan, Taiwan, Transcultural Collaborations
Networking is both motif and method in the work of River Lin (林人中). Performing, directing,...
Read MorePosted by Rossella Ferrari | 22nd Nov 2020 | China, Hong Kong, News, Singapore, Taiwan, Transcultural Collaborations
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
Read MorePosted by Michael Ka Chi Cheuk | 26th Oct 2019 | China, Directing, Interview, Taiwan
US-born, Taiwan-raised theatre director and playwright Stan Lai (Lai Sheng-chuan) has enjoyed...
Read MoreReturning to Taiwan for the first time since 2016, Australian-based Shaun Parker & Company is...
Read MorePosted by Sui He | 11th May 2019 | London, News, Taiwan, Translation, United Kingdom
In March 2019, translators, directors, performers and researchers gathered at University College...
Read MorePosted by Clarissa Oon | 21st Nov 2018 | Review, Taiwan, Transcultural Collaborations
Part of the Asian Theatremakers series At the height of the fear and panic caused by the SARS...
Read MorePosted by Alexa Alice Joubin | 18th Apr 2018 | China, Essay, Hong Kong, Taiwan
Along with a number of Japanese and Western canonical poets and writers, Shakespeare and his works...
Read MorePosted by Cheng-Han Wu | 1st Sep 2017 | Taiwan, Translation
The Taiwan-based theatre troupe, Yang’s Ensemble, used to deal mostly with Sino-centric cultures...
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