Afghanistan

Parastoo Theatre: Art, Refuge, Action

Posted by Deborah Augustin | 11th Aug 2022 | Afghanistan, Applied Theatre, Interview, Malaysia, Theatre and Politics

The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas,...

Read More

Leveling Effects: Matthew Spangler’s Adaptation of “The Kite Runner”

Posted by Jonathan Kalb | 10th Aug 2022 | Adaptation, Afghanistan, Directing, Review, United States of America

Khaled Hosseini’s 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of...

Read More

Amid the Waters: Afghan Stories Stream Diversity on the Iranian Stage

Posted by Marjan Moosavi | 29th Dec 2020 | Afghanistan, Iran, Review

I saw Amid the Waters amid the hustle and bustle of Tehran’s downtown at Tehran City Theatre...

Read More

“Unknown, I Live With You”: Oppression and Song

Posted by Agata Araszkiewicz | 11th Oct 2019 | Afghanistan, Belgium, Essay, Poland, Theatre and Opera

Opera is filled with tales of violence. Its whole history relies on great passions tragically...

Read More

Working With a Cultural Consultant When Writing an International Play: Interview With U.S. Playwright Gabriel Jason Dean and Humaira Ghilzai, an Afghan Expert

Posted by Henrik Eger | 14th Jul 2019 | Afghanistan, Interview, Playwriting, Theatre and Gender, Theatre and Politics, United States of America

The playwright “I spring from ministers, murderers, rebels, addicts, closeted queens, soldiers,...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Truth and Reconciliation in “Under the Shade… by Verity Healey 2nd January 2026
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025
“With Ruby and I” – review –… by Verity Healey 3rd January 2026
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025
Faustin Linyekula’s Missing Bodies: “My body,… by Ilinca Todoruţ 26th December 2025

Recent Posts

Sharing Crafts, Or Laboratory Space 12th January 2026
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities 8th January 2026
Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling 8th January 2026
Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room 7th January 2026
Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen 6th January 2026
Echoes of a Crumbling Republic: Review of “Berlin” at Chicago’s Court Theatre (2025) 4th January 2026
“Leili And Majnun:” An Ancient Love Story For Modern Times 3rd January 2026
“With Ruby and I” – review – more McDonagh than Robinson 3rd January 2026
Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo 2nd January 2026
Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin 2nd January 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest