Between Life And Death: A Festival’s Journey Through Tragedy [Part II]
To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...
Read MorePosted by Savas Patsalidis | 1st Aug 2025 | Bulgaria, Festivals, Transcultural Collaborations
To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...
Read MorePosted by Savas Patsalidis | 1st Aug 2025 | Bulgaria, Festivals, Transcultural Collaborations
We each owe a Death Johannes von Tepl, Death and the Ploughman [ Der Ackermann und der Tod, 1401 ]...
Read MorePosted by Mona Mirzaei | 30th Jul 2025 | Review, Theatre and Politics, United States of America, Worldwide
Blind Runner, the latest play by Amir Reza Koohestani, was performed from January 4 to 24, 2025,...
Read MorePosted by Daniel Meyer-Dinkgräfe | 28th Jul 2025 | Germany, Management, Review
Germany’s theatre landscape is very rich indeed. Many cities have publicly owned and funded...
Read MorePosted by Xunnan Li | 26th Jul 2025 | Avignon 2025, China, Chinese Theatre Abroad, Design, Review
Feng Lu’s “L’histoire d’un Accident”, presented in Avignon 2025, offers a layered exploration of theatrical space inspired by Henri Lefebvre’s theory of spatial production. The play unfolds through a play-within-a-play structure, blending backstage conflict, parody, and audience disruption to challenge the boundary between fiction and reality. A planted “spectator” blurs the line between performance and life, turning spatial ambiguity into a central aesthetic strategy. Rather than seeking clarity, the production invites audiences to dwell in uncertainty, where ambiguity becomes an essential part of how space is experienced, performed, and emotionally understood.
Read MorePosted by Xunnan Li | 24th Jul 2025 | China, Chinese Theatre Abroad, News, Theatre and Opera
In 2025, the UK Chinese Opera Association marks its 10th anniversary, celebrating a decade of bridging tradition and innovation in Chinese opera. Founded by Joanna Zenghui Qiu, a former performer with the Mei Lanfang Opera Troupe, the Association has become a cornerstone of Chinese cultural life in the UK. Inspired by her lead performance at the British Museum’s first Chinese New Year event during the 2015 UK-China Year of Cultural Exchange, Qiu established the Association to preserve and promote Chinese opera on British soil. Through performances at venues such as Buckingham Palace and grassroots programs like “Chinese Opera Fans’ Home” the Association has flourished as both an artistic platform and a diasporic community hub.
Read MorePosted by Lisa Monde | 22nd Jul 2025 | Interview, Musical Theatre, United States of America
Dedicated to the 145th anniversary of Gilbert and Sullivan’s comic opera “The Pirates of Penzance;...
Read MorePosted by Margaret Rose | 20th Jul 2025 | Festivals, Immersive Theatre, Italy, Review
Director and writer Romeo Castellucci decided not to use one of the usual venues of the Theatre...
Read MorePosted by Jonathan Kalb | 19th Jul 2025 | Review, Theatre and Gender, United States of America
Emmanuelle Mattana’s Trophy Boys is a cheeky debut play that’s a lot of fun to watch, even if it...
Read MorePosted by Margaret Rose | 16th Jul 2025 | Festivals, Italy, Review, Transmedia, United States of America
Celebrated American actor Willem Dafoe, the new artistic director of the Venice Theatre Biennale,...
Read MorePosted by Kasia Lech | 10th Jul 2025 | Festivals, News, Poland
Seventeen productions, including nine premieres, from Japan, Ukraine, the UK, Spain, and Poland,...
Read MorePosted by Niloofar Mohtadi | 10th Jul 2025 | Iran, News, Theatre and Politics
“The homeland is not only a piece of land, it’s a memory, it’s love, it’s pain” is a line of...
Read MorePosted by Anne Hamilton | 10th Jul 2025 | Dramaturgy, Interview, Theatre and Opera, United States of America
Dramaturgy is all about being able to facilitate a line of communication between artists and audience.
Read MorePosted by Lisa Monde | 7th Jul 2025 | Interview, Musical Theatre, Transcultural Collaborations, United States of America
Dedicated to the 40th Anniversary of World Rock Day and the 71st Anniversary of World Rock and...
Read MorePosted by Aleks Sierz | 6th Jul 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
George Bernard Shaw is the supreme example of old writing. Maddeningly verbose, eye-poppingly...
Read MorePosted by Alexander Fatouros | 6th Jul 2025 | Directing, Interview, Los Angeles, New York, News, Theatre and Film, United States of America
Step into the opulent 1880s New York evoked by The Gilded Age, Julian Fellowes’ Emmy-winning HBO...
Read MorePosted by Jonathan Kalb | 4th Jul 2025 | Review, Theatre and Politics, United States of America
Abby Rosebrock’s Lowcountry, a new play directed by Jo Bonney at the Atlantic Theater, begins with...
Read MorePosted by Duška Radosavljević | 2nd Jul 2025 | Adaptation, Denmark, Review
Imagine Ibsen’s A Doll’s House, staged as a sort of salon game, in a real couple’s home serving as...
Read MorePosted by Yi-Ming Chen | 28th Jun 2025 | News, Taiwan, Theatre and Politics
In New York City, the window between May and June signals the arrival of Tony Awards season....
Read MorePosted by Alma Prelec | 25th Jun 2025 | Review, Spain, Transcultural Collaborations
Juan Mayorga’s Los yugoslavos [The Yugoslavs] is, to-date, the only one of the acclaimed Spanish...
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A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025 
The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary… by Xunnan Li And Yuan Du 2nd December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 

Evil Can Appear Beautiful by Margaret Rose 23rd November 2025 
Biography And Politics: “Der Zauberer Von Öz – Eine… by Daniel Meyer-Dinkgräfe 4th December 2025