“No Apologies” by Emma Frankland, Edinburgh Festival Fringe 2025
Emma Frankland’s No Apologies achieves something genuinely rare: a radical reimagining that...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Frankland’s No Apologies achieves something genuinely rare: a radical reimagining that...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Anemone Valcke and Verona Verbakel’s The Ego emerges from Ontroerend Goed’s theatrical...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What is the purpose of performing arts when the stakes are literally life and death? Pussy...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
The Belgian Company Ontroerend Goed have been coming to the Edinburgh Fringe for so long that I...
Read MorePosted by Daniel Meyer-Dinkgräfe | 24th Aug 2025 | Festivals, Germany, Review
Over the summer months, all of the publicly funded state and municipal theatres, as well as...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What does it take to get you up on your feet and into the groove? Whatever your disposition,...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
Read MorePosted by Aleks Sierz | 23rd Aug 2025 | Playwriting, Review, United Kingdom
Slowly, very slowly, the audience begins to arrive. Taking their seats, shedding jackets,...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
At the Edinburgh Fringe, the solo show, A Poem and a Mistake, is playing for the entire month of...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Belgium, Edinburgh 2025, Review, United Kingdom
Works and Days the latest production of the FC Bergman collective, played at the Lyceum Theatre as...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Edinburgh 2025, Review, Theatre and Science, United Kingdom
Out of the many venues at the Edinburgh Fringe Festival, Summerhall Arts is one that shines for...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Australia, Edinburgh 2025, Review, United Kingdom
Summerhall, one of Edinburgh’s busiest venues, known for its innovative, cutting-edge programme,...
Read MorePosted by Maria Delgado | 18th Aug 2025 | Finland, France, Review, Tampere Theatre Festival 2025
There are shows that may, on the surface, feel wafer thin, shows where nothing much seems to...
Read MorePosted by Margaret Rose | 18th Aug 2025 | Edinburgh 2025, Review, Scotland, United Kingdom
The Edinburgh International Festival this year, welcomes several international trailblazers like...
Read MorePosted by Margaret Rose | 18th Aug 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
As I read the title of Jonny Woo’s latest show, Suburbia, I wondered how this celebrated...
Read MorePosted by Margaret Rose | 14th Aug 2025 | Edinburgh 2025, Review, Scotland, Theatre and Gender
Playing at the Scottish Storytelling Centre during the Edinburgh Fringe Festival, Cassandra,...
Read MorePosted by Margaret Rose | 14th Aug 2025 | Edinburgh 2025, Review, United Kingdom
Here at the Edinburgh Fringe, as well as Gary McNair’s A Gambler’s Guide to Dying, I caught the...
Read MorePosted by Margaret Rose | 14th Aug 2025 | Edinburgh 2025, Review, Scotland
For this year’s Edinburgh Fringe Festival, the Traverse Theatre has, as usual, put together a...
Read MorePosted by Margaret Rose | 13th Aug 2025 | Edinburgh 2025, Review, Scotland
The expression ‘Athens of the North’, the title of the play in the present review, conjures up an...
Read More



Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 | M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 1 | ||||||
| 2 | 3 | 4 | 5 | 6 | 7 | 8 |
| 9 | 10 | 11 | 12 | 13 | 14 | 15 |
| 16 | 17 | 18 | 19 | 20 | 21 | 22 |
| 23 | 24 | 25 | 26 | 27 | 28 | 29 |
| 30 | 31 | |||||