NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future
In January, the NYC Under the Radar Festival presented some of the most innovative and...
Read MorePosted by Victoria Zavyalova | 9th Feb 2026 | Australia, Festivals, Review, United States of America
In January, the NYC Under the Radar Festival presented some of the most innovative and...
Read MorePosted by Aleks Sierz | 9th Feb 2026 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Some shows have great moments, but somehow just don’t work — the whole is less than the sum of its...
Read MorePosted by Lisa Monde | 8th Feb 2026 | Essay, Musical Theatre, United States of America
For American audiences, the musical The Devil Wears Prada, anticipated to premiere on Broadway in...
Read MorePosted by Paulina Peret | 6th Feb 2026 | Essay, Festivals, Poland
The “Screen / Stage” program was created as a space for shared viewing, discussion, and reflection...
Read MorePosted by Daniel Meyer-Dinkgräfe | 6th Feb 2026 | Directing, Germany, Review
For this production of Shakespeare’s play, Oldenburgisches Staatstheateer used the 2007...
Read MorePosted by Margaret Rose | 6th Feb 2026 | Directing, Italy, Review
Neapolitan poet and dramatist Enzo Moscato passed away in 2024 at the age of 75. Together with...
Read MorePosted by Yizhou Zhang | 5th Feb 2026 | Argentina, Canada, Review, Theatre and Decolonization
A shimmering Andes mountain range made of light and weave. The sound of rattling bells. A...
Read MorePosted by Jonathan Kalb | 4th Feb 2026 | Playwriting, Review, United States of America
At the risk of sounding smug, let me say: I have been yowling, since the early days of the...
Read MorePosted by Maria Delgado | 4th Feb 2026 | Chile, Festivals, Review
There were two key themes running through this year’s Teatro a Mil, the Chilean capital’s...
Read MorePosted by Margaret Rose | 3rd Feb 2026 | Italy, Review, Theatre and Politics
A Place of Safety, A Journey in the Central Mediterranean, produced by the Kepler-452 Company...
Read MorePosted by David O'Donnell | 29th Jan 2026 | Festivals, Hawaii, New Zealand, Theatre and Decolonization, Transcultural Collaborations
In the opening scene of Puana, a musical play written and directed by Professor Tammy Haili‘ōpua...
Read MorePosted by Margaret Rose | 27th Jan 2026 | Acting, Italy, Review
Before the Storm is set in a rather dilapidated dressing room where an elderly actor waits to go...
Read MorePosted by Morgan Skolnik | 27th Jan 2026 | Review, United States of America
The morning of the day I saw Narcissister’s spellbinding and stunningly original Voyage Into...
Read MorePosted by Daniel Meyer-Dinkgräfe | 26th Jan 2026 | Directing, Germany, Review
Many, especially prestigious, new productions of Chekhov’s The Seagull in the UK and USA...
Read MorePosted by Morgan Skolnik | 23rd Jan 2026 | New York, Review, Theatre and Gender, United States of America
Wet Mess is a captivating performer with a playfully defined aesthetic. Their checkerboard face...
Read MorePosted by Jonathan Kalb | 20th Jan 2026 | Acting, Review, United States of America
Bug is a thoughtfully creepy psycho-thriller, set in a Texas motel, about a seemingly likeable yet...
Read MorePosted by Kiki Selioni | 12th Jan 2026 | Essay, Poland, Transcultural Collaborations
The “Sharing Crafts” Performative Laboratory took place on 19–22 May 2025 as part of...
Read MorePosted by Daniel Meyer-Dinkgräfe | 8th Jan 2026 | Directing, Germany, Review
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
Read MorePosted by Aleks Sierz | 8th Jan 2026 | Acting, London, Playwriting, Review, United Kingdom
New Year, new line up of West End stars. This time it’s the turn of Olivier-Award-winner Sheridan...
Read MorePosted by Susanna Sun | 7th Jan 2026 | Chicago, Directing, Interview, United States of America
A towering figure in Chicago theatre, Charles Newell—former Marilyn F. Vitale Artistic Director of...
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